Selected Press

Smith, William S. “Overview: Immerse Yourself“, Art in America, January 2017.
Hale, Mike. “A Retort to Shrinking Screens, in an Ultra-Immersive Show at the Whitney“, The New York Times, October 2016.
Delson, Susan. “At the Whitney, a Different Take on the Moving Image“, The Wall Street Journal, October 2016.
Bernstein, Felix. “Planetarium of Blended Dreams“, The Brooklyn Rail, April 2016.
Hubert, Craig, “Ben Coonley and His Cat Present 3-D Video Installations in Brooklyn“, Blouin Artinfo, March 2016.
Balsom, Erika, “Parallax Plurality: 3D Beyond the Feature Film,Artforum, September 2015.
Furfaro, Danielle, “Off the wall! BAM holds 3-D film fest,” The Brooklyn Paper, April 30, 2015.
Blau, Gavan, “Interview with Ben Coonley“, West Space Journal No. 1 (Winter 2013).    
Moulon, Dominique, “Berlin: arts, technologies, and events,” Digitalarti No. 13, April-May-June 2013.
Droitcour, Brian, “I Don’t Always Like Being in My Videos”, Culture Two, May 2, 2013.
Fallon, Roberta, “New York in March”, The Artblog, March 28, 2013.
Rukoff, Rebekah, “Perfect Strangers, Alone Together”, Cacophony, February 27, 2013. 
Loudis, Jessica, “Photographers gather to celebrate ‘Blind Spot’ and tell funny stories about picture-taking”, Politico New York, 2012.
Dullaart, Constant, “YouTube as a Subject.” In Net Works: Case Studies in Web Art and Design, 16-24.  New York: Routledge, 2011.
Droitcour, Brian, “Costume Drama”, Artforum, November 11, 2011.
McElhatten, Mark, “The Decade of Projection Performance: 21 Leading Lights of Projection (poll),” Film Comment, May-June 2010.
Droitcour, Brian, “Party of Five”, Artforum, May 24, 2010.
Biesenbach, Klaus, Neville Wakefield, and Cornelia Butler, “Greater New York: Cinema,” Greater New York 2010 (Catalogue), New York: MoMA PS1, 2010.
Kahn, Baseera Fox, and Jon Lutz, “Ben Coonley & Dr. Jonathan Zizmor,” Real  Nonfiction: The 3rd Annual Artists from the Registry Exhibition (Catalogue), Brooklyn: BRIC Arts Media, 2010.
Clarkson, Lamar, “Is the Doctor In?: Deconstructing the Zizmor Brand”, New York Press, October 1, 2009.   
Walleston, Aimee, “No Soul For Sale: A Festival of Independents (photo)”, Art in America (online), 23 June 2009.
Berry, Scott Miller, and Pablo de Ocampo, Images Festival (catalog), Toronto: Images Festival, 2009.
Hogue, Gretchen, PDX Film Fest 2009 (Catalog), Portland: PDX Film Festival, 2009.
Lozano, Ivan, “No Drinks Allowed in Screening Room”, Glasstire, January 19, 2009.
Clarkson, Lamar, “Single Black-and-White Feline Finds Love at Biennial”, ARTNews, November 2008.
Snyder, James, “The Underground Is Dead. Long Live the Underground.,” The L Magazine, 16 April 2008.
Walleston, Aimee, “No Soul For Sale: A Festival of Independents (photo)”Art in America (online), 23 June 2008.  
Ingman, Marrit, “The Advance’s Retreat,” The Austin Chronicle, 14 September 2007.
Dyakonov, Valentin, “Overground under Construction,” Artchronika, Special Issue: The Moscow Biennial Strikes Back, 2007.
August, Thom, “The Best Gifts are CG,” Digital Brooklyn, April 12, 2006.
Ikenberg, Tamara. “Crazy Cat Lads,” The Courier-Journal, Louisville, KY, Marc 18, 2006.”Ben Coonley,” In Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, edited by Kate Horsfield and Lucas Hilderbrand.  Philadelphia: Temple University Press, 2006.
Robinson, Chris, “Soundscapes not Included,” Ottawa Xpress, August 19, 2004.
Parsons, Spencer, “New York Underground Film Festival,” Filmmaker, May 5, 2004.
Sauer, Lauren, “Movies With Live Soundtracks”, The Tartan, 6 September 2004.
Cole, Williams. “A Festival Pops up in Brooklyn,” The Brooklyn Rail, November, 2003.
Halter, Ed. “Cinematexas: An oasis of radicalism deep in Bush country,” The Village Voice, October 8-14, 2003.

Jones, Kimberly. “Wavelength Hoot Night,” The Austin Chronicle, May 2003.

Speltzer, Andy, “My Kind of Festival,” The Stranger, Vol. 12, No. 51, September 3-10, 2003.

Aronsky, Rory L., “Microcinema’s Independent Exposure: School’s Out Edition,” Film Threat,  June 9, 2003.
Cockburn, Daniel, “Ben Coonley: Installations for Domestic Cats,” Lola, No. 11, (Winter, 2001- 2002) 72-73.



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