“Su Friedrich: ‘Giving Birth to Myself’” in Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson by P. Adams Sitney, Oxford University Press, 2008, pp. 296-320
“Key Scene: The Filmmaker’s Song in ‘Sink or Swim’” in Movies: The Little Black Book, ed. by Chris Fujiwara, Cassell Illustrated, 2007, p. 625
“Su Friedrich: Breaking the Rules” by Janet Cutler in Women’s Experimental Cinema, ed. by Robin Blaetz, Duke Univ. Press, 2007 501
“Movie Directors: A Comprehensive Guide to the Greatest Filmmakers”, ed. by Steven Jay Schneider, Barron’s Press, 2007
“Feminists Who Changed America” ed. by Barbara J. Love, U. of Illinois Press, 2006
“No More Giants” by William C. Wees in Women and Experimental Filmmaking, ed by Jean Petrolle and Virginia Wright Wexman, U. of Illinois Press, 2005
“The Violence of Desire in Avant-Garde Films” by Maureen Turim in Women and Experimental Filmmaking, ed by Jean Petrolle and Virginia Wright Wexman, U. of Illinois Press, 2005
“Black Narcissus” by Sarah Street, I. B. Taurus Press, London, 2005
“Contemporary American Independent Film: From the Margins to the Mainstream”, ed. by Chris Holmlund and Justin Wyatt, Routledge, 2005
“Cut/Film As Found Object In Contemporary Video by Lawrence Lessig, Rob Yeo, David Gordon, and Candice Breitz”, Basilico Press, 2004
“Visionary Film:The American Avant-Garde”, 1943-2000 by P. Adams Sitney, Oxford University Press, 2002
“Sink or Swim” in Left in the Dark, Stuart Klawans, Thunder’s Mouth Press, 2002
“The Wedding Complex: Forms of Belonging in Modern American Culture by Elizabeth Freeman”, Duke University Press, 2002
“Girl Director: A How-To Guide”, by Andrea Richards, Girl Press, 2001
“Art and Feminism”, Phaidon Press, Ltd., 2001
“Framed: Lesbians, Feminists and Media Culture” by Judith Mayne, U. of Minnesota Press, 2000
“Collecting Visible Evidence”, by Michael Renov and Jane Gaines, U. of Minnesota Press, 1999
“Experimental Ethnography: The Work of Film in the Age of Video”, by Catherine Russell, Duke University Press, 1999
“Feminist Makeovers: The Celluloid Surgery of Valie Export and Su Friedrich” by Chris Holmlund, in Play It Again, Sam, ed. by Andrew Horton and Stuart Y. McDougal, U. of California Press, 1998
“Culture As Fiction: The Ethnographic Impulse in the Films of Peggy Ahwesh, Su Friedrich, and Leslie Thornton” by Catherine Russell, in The New American Cinema, ed. by Jon Lewis, Duke University Press, 1998
“Women Filmmakers and Their Films”, ed. by Amy Unterberger, St. James Press. 1998
“Film Fatales”, by Judith M. Redding and Victoria A. Brownworth, Seal Press, Seattle, 1997
“Between the Sheets, In the Streets: Queer, Lesbian, and Gay Documentary”, edited by Chris Holmlund and Cynthia Fuchs, U. of Minnesota Press, 1997
“Cinematernity”, by Lucy Fischer, Princeton University Press, 1996
“Techniques of Film and Video Editing”, by Ken Dancyger, 2nd ed., Focal Press, 1996
“Deviant Eyes, Deviant Bodies”, by Chris Straayer, Columbia University Press, 1996
“Screen Writings”, by Scott MacDonald, University of California Press, 1995
“Women Film Directors: An International Bio-Critical Dictionary”, by Gwendolyn Foster, Greenwood Press, 1995
“Women’s Pictures”, 2nd ed., Verso Press, 1994
“Queer Looks: Perspectives on Gay and Lesbian Film and Video”, edited by Martha Gever, John Greyson and Pratibha Parmar, Routledge Press, 1993
“Avant-Garde Film: Motion Studies”, by Scott MacDonald, Cambridge Univ. Press, 1993
“Sisters, Sexperts, Queers” edited by Arlene Stein, E.P. Dutton Publishers, 1993
“Vampires and Violets: Lesbians in the Cinema”, by Andrea Weiss, Jonathan Cape Publishers, London, 1992
“Critical Cinema: Volume Two”, by Scott MacDonald, University of California Press, 1992
“Women In Film: An International Guide”, ed. by Annette Kuhn, Fawcett-Columbine, New York, 1990


“Su Friedrich’s Cinema” by Cecilia Muhlstein, NYARTS, May/June 2008,
“Su Friedrich is Seeing Red” by Andrea Richards, MAKE/SHIFT, Fall/Winter 2007-2008
“Su Friedrich’s movie mash-up mystique” by Carianne King, THE DECLARATION, U. Virginia, November 1, 2007
“And, roll ‘em” by John Marangelli, MILWAUKEE JOURNAL SENTINEL, Oct. 11, 2006
“Nature: Up Close and Political” by Scott MacDonald, FILM QUARTERLY, Vol. 59, #3, Spring 2006
“The Odds of Recovery” by Stacey Jay Cavaliere, ECHO, Sept. 25, 2003
“Erholung wird night ausgeschlossen” by Dominik Kamalzadeh, DER STANDARD, June 5, 2003
“Ein fester Platz im Mainstream” by Georg Wasner, DIE PRESSE, June 7, 2003
“Try to Remember: Cinematic Year in Review 2002” by Darryl Chin and Larry Qualls, PERFORMANCE ART JOURNAL, May 2003
“Afternoon Delights” by Diane-Anderson Minshall, CURVE, April 16, 2003 “Special Events” by Holly Willis, LA WEEKLY, Dec 6-12, 2002
“The Odds of Recovery” by Dennis Harvey, VARIETY, Oct 21-27, 2002 “Short List” by J. Hoberman, VILLAGE VOICE, Oct. 2002
“XX Marks the Spot” by Ed Halter, VILLAGE VOICE, Oct. 2002
“Friedrich Lays Odds” by Jenni Olson, BAY AREA REPORTER, Sept 19, 2002
“Su Friedrich’s New Film Premieres at MadCat” by Shari Kizirian, RELEASE PRINT, September 2002
“Skabstaler og skaeve blikke” by Kassandra Wellendorf, KOSMORAMA, September 2002
“Carrying On: Leslie Thornton, Su Friedrich, Abigail Child and American Avant-Garde Film of the Eighties” by William C. Wees, CANADIAN JOURNAL OF FILM STUDIES, Vol. 10, No. 1, Spring 2001
“Interview With Su Friedrich” by Nobuko Yamashita, EUREKA, August 1998
“Tokyo Out Interviews Su Friedrich” by Sara Galer, TOKYO JOURNAL, July 1998
“Hide and Seek” by Sara Galer, BEING A BROAD, Tokyo, July 1998
“Director Challenges Self and Others” by Melanie Davis, THE COURIER NEWS, November 2, 1997
“Lesbian Stories” by Gwendolyn Foster, ANGLES, Vol. 3, 1997
“Growing Pains” by Chris Jordan, THE HOME NEWS AND TRIBUNE, Rutgers, November 1997
“To Be Reel” by Mark J. Huisman, METROSOURCE, Fall 1997
“Child’s Play” by Jenni Olson, OUT MAGAZINE, July 1997
“Girls Out Of Uniform” by Lydia Marcus, RELEASE PRINT, April, 1997
“Growing Up” by Diane McPherson, THE ITHACA TIMES, April 17-23, 1997
“Fractured Fairytales and Experimental Identities: Looking for Lesbians in and around the Films of Su Friedrich” by Chris Holmlund, DISCOURSE 17.1, Fall 1994
“Le Je a la camera” by Yann Beauvais and Jean-Michel Bouhours, LE JE FILME, Editions du Centre Pompidou, 1995
“New Subjectivities: Documentary and Self-Representation in the Post-Verite Age” by Michael Renov, DOCUMENTARY BOX, #7, 1995
“It’s Not As Bad As You Think: A Spoonful of Experimental Cinema (from the Plate of Su Friedrich)” by Alex MacInnis, FOCUS Magazine, Vol. 15, 1995
“The Short List” by J. Hoberman, VILLAGE VOICE, February 7, 1995
“So: Su Me!” by Sue Dinsmore, PHASE, August/September 1994
“Cinema mineur, de moeurs” by Yann Beauvais, ART PRESS SPECIAL, No. 14, 1993
“Lesbians Make Movies” by Alisa Lebow, CINEASTE, Vol. XX, No. 2, December 1993
“Unknown Territories: American Independent Film” by Steve Anker, BLIMP, 1992
“Tytto Joka Oppi Uimaan” by Tuike Alitalo, FILMIHULLU, 5/92
“From Zygote to Global Cinema via Su Friedrich’s Films” by Scott MacDonald, JOURNAL OF FILM AND VIDEO, Vol. 44, Nos. 1 & 2, Spring/Summer 1992
“Some Like It Hot” by Judith Halberstam, THE INDEPENDENT, Vol. 15, #9, November 1992
“An Interview with Filmmaker Su Friedrich” by Sam McElfresh, AMERICAN FEDERATION OF THE ARTS NEWSLETTER, Autumn, 1991
“The Films of Su Friedrich” by Deborah Lawler-Dormer, ILLUSIONS, Winter 1991
“Life with Father” by J. Hoberman, PREMIERE, December 1991
“L’infanzia di tutti. Parla Su Friedrich” by Cristina Piccino, LA REPUBBLICA, July 1991
“Beyond Brakhage: Avant-Garde Film and Feminism” by Manohla Dargis, A PASSAGE ILLUMINATED, (catalogue for show at Filmtheater Desmet), Amsterdam, 1990
“Daddy Dearest: Su Friedrich Talks About Filmmaking, Family and Feminism” by Scott MacDonald, THE INDEPENDENT, December 1990
“Three Experimental Filmmakers Rap Up” by Karl Sohnlein, OUTWEEK, December 12, 1990
“Interview with Su Friedrich” by Erika Herzog and Jeanne Gilliland, GIRLIE MAG, Vol. 1, No. 2, 1989
“When Form Takes As Many Risks As the Content” by Katharina Sykora, FRAUEN UND FILM, Vol. 46, February 1989
“Girl Crazy” by Martha Gever, THE INDEPENDENT, July 1988
“Avant-Garde Film: Cinema as Discourse” by Scott MacDonald, JOURNAL OF FILM AND VIDEO, Vol. 40, #2, Spring 1988
“Damned If You Don’t: An Interview With Su Friedrich” by Scott MacDonald, AFTERIMAGE, Vol. 15, #10, May 1988
“Reappropriations” by Scott MacDonald, FILM QUARTERLY, Winter 1987/88
“Gently Down the Stream” by Bruce Jenkins, MILLENNIUM FILM JOURNAL, Fall/Winter 86/87
“A Queer Kind of Film” by Jan Stuart, FILM COMMENT, December 1987
“Avant-Garde Films by Women” by Anna Gronau, THE EVENT HORIZON, 1987
“Text As Image” by Scott MacDonald, AFTERIMAGE, March 1986
“Interviews With New York Filmmakers” by Stephanie Beroes, CINEMATOGRAPH # 2, 1986
“Die Angst dat Het Niemand Zal Interessern” by Bernadette de Wit, DIVA, September 1985
“N.Y. Independent Cinema” by Berenice Reynaud, FUSE, Summer 1985
“Female Rage: The Films of Su Friedrich” by Lindley Hanlon, MILLENNIUM FILM JOURNAL, Spring 1983
SELECTED REVIEWS: “From the Ground Up” by Trent Daniel, CURLED UP WITH A GOOD, June 2008
“From the Ground Up” by Chris Neilson,, June 24, 2008
“From the Ground Up” by Gayle Santana,, Spring 2008
“22 Londra Lezbiyen Ve Gey Film Festivali” by Basak Ertur, ALTYAZI, May 2008
“On Film and Fair Trade” by Martina Car, NASSAU WEEKLY, March 7, 2008
“From the Ground Up” by Magdalena Miedl, BIORAMA MAGAZINE, Winter 2007
“Hide and Seek” by Diana Tierney, THE FEMINIST REVIEW online, May 2, 2007
“The Odds of Recovery” by Suhaila Aboulhosn, THE FEMINIST REVIEW online, May 18, 2007
“Sink or Swim” by Joanna Chlebus, THE FEMINIST REVIEW online, April 23, 2007
“The Ties That Bind” by Patricia Ethelwyn Lang, THE FEMINIST REVIEW online, April, 2007
“Su Friedrich” by Scott Foundas, LA Weekly, March 2007
“Midlife Fury, Glowing in Glorious Red” by Stuart Klawans, THE NEW YORK TIMES, September 24, 2006
“The Personal Films of Su Friedrich” by Ed Halter, THE VILLAGE VOICE, Sept. 27-Oct. 3, 2006
“Avant-Garde Pick: The Films of Su Friedrich” by Paul Arthur, FILM COMMENT, Sept/Oct 2006
“Unseen No More? The Avant-Garde on DVD” by Paul Arthur, CINEASTE, Winter 2006
“Wisdom of Dreams” by Ioannis Mookas, GAY CITY NEWS, Sept. 28-Oct. 4, 2006
“Displaced Person” by George Robinson, JEWISH WEEK, September 22, 2006
“The Odds of Recovery” by Fred Camper, THE CHICAGO READER, March 14, 2003
“Clinical Trials” by Kim McNabb, THE CHICAGO FREE PRESS, March 12, 2003
“MadCat Women’s International Film Festival” by Kate Haug, THE INDEPENDENT, Jan/Feb 2003
“The Odds of Recovery” by Holly Willis, LA Weekly, December 6, 2002
“The Odds of Recovery” by Dennis Harvey, VARIETY, October 21-27, 2002
“XX Marks the Spot” by Ed Halter, THE VILLAGE VOICE, October 23, 2002
“Films” by Stuart Klawans, THE NATION, October 28, 2002
“Friedrich Lays Odds” by Jenni Olson, BAY AREA REPORTER, September 19, 2002
“A Woman’s Touch” by Michael Fox, SF WEEKLY, September 4-10, 2002
“Su Friedrich Retrospective” by Amy Taubin, THE VILLAGE VOICE, May 15, 2001
“A Conflict Between Past and Present: A Retrospective of Su Friedrich’s Films” by Joe Maggio, THE BROOLYN RAIL, May/June 2001
“Celluloid Heroines” by Melissa Anderson, VILLAGE VOICE, September 5, 2000
“New Film Fest Celebrates the Best of Sapphic Cinema” by Maria Balzano, THE VILLAGER, May 24, 2000
“Lifetime Achievement Award” GIRLFRIENDS MAGAZINE, April 1998
“Hide and Seek” by Jimmy Fowler, THE DALLAS OBSERVER, March 5-11, 1998
“Lesbian Videos Fit the Bill” by J.H. Johnson, DALLAS VOICE, March 1998
“Really Reeling” by Hank Sartin & Neda Ulaby, WINDY CITY TIMES, November 1997
“Touching the Heart of Childhood” by Anthony DellaFlora, ALBUQUERQUE JOURNAL, September 28, 1997
“Hide and Seek” by Jeannine DeLombardi, PHILADELPHIA CITY PAPER, May 9-15, 1997
“A Tale of Girlhood With a Twist” by Rita Kempley, THE WASHINGTON POST, April 29, 1997
“Adventure Stories For Girls” by Ella Taylor, LA WEEKLY, April 11-17, 1997
“Hide and Seek” by Lydia Marcus, FRONTIERS, Vol. 15, No. 25, 1997
“Films By Su Friedrich” by Susan Gerhard, SAN FRANCISCO BAY GUARDIAN, April 3, 1997
“Hide and Seek” by Bob Boone, GAY PEOPLE’S CHRONICLE, March 7, 1997
“Hide and Seek” by Emanuel Levy, VARIETY, February 17-23, 1997
“Girls Rule!” by Anette Kilzer, TIP MAGAZINE, Berlin, February 1997
“1993 Top Picks” by Judith M. Redding, DENEUVE, March 1994
“Top Ten 1993” by Susan Gerhard, SAN FRANCISCO BAY GUARDIAN, December 1993
“On the Road With Su and In Bed With Sadie” by Paola Bilbrough, ILLUSIONS 21/22, Winter 1993
“Women Feature at Triskel” by Isabel Healy, CORK EXAMINER, October 5, 1993
“A Kiss Before Towing” by Susan Gerhard, THE BAY GUARDIAN, May 1993
“Women’s Film Festival” by Stuart Klawans, THE NATION, May 17, 1993
“Power Fills Screens of Charlotte Film Festival” by Lawrence Toppman, CHARLOTTE OBSERVER, May 7, 1993
“WOW Women’s Film Festival” by Amy Taubin, VILLAGE VOICE, April 4, 1993
“In a Wierd City, Games Turn Serious” by Janet Maslin, THE NEW YORK TIMES, March 19, 1993
“Memory and Desire: Films by Su Friedrich” by Ella Taylor, LA WEEKLY, ebruary 19-25, 1993
“Women’s Cinema Today: A Construction Site With Attitude” by Betsy Sherman, BOSTON SUNDAY GLOBE, January 17, 1993
“SINK OR SWIM de Su Friedrich” by Yann Beauvais, L’ARMATEUR, 1992
“Critic’s Pick: Su Friedrich” by Cindy Fuchs, CITY PAPER, Jan. 31-Feb. 7, 1992
“Release for a Poetic Soul” by Joanna Connors, CLEVELAND PLAIN DEALER, March 1, 1992
“The Year in Review” by J. Hoberman, VILLAGE VOICE, January 14, 1992
“The Year in Review” by Manohla Dargis, VILLAGE VOICE, January 14, 1992
“The Year in Film” by Stuart Klawans, THE NATION, December 30, 1991
“Lost and Found” by Manohla Dargis, VILLAGE VOICE, December 19, 1991
“First Comes Love” by Stuart Klawans, THE NATION, September 23, 1991
“Protest, Identity, Themes at Lesbian/Gay Film Fest” by Gregg Bordowitz, THE GUARDIAN, September 11, 1991
“Don’t Blink” by Manohla Dargis, VILLAGE VOICE, September 10, 1991
“History in the Making” by Leslie Kossoff, GAY COMMUNITY NEWS, September 1-14, 1991
“Americani incorreggibili” by Leonarda Antera, CORRIERE DELLA SERA, June 16, 1991
“Giving the Offbeat a Chance” by Daniel Margin, BAY AREA REPORTER, April 24, 1991
“Film As a Shaper of American Culture” by Caryn James, NEW YORK TIMES, April 19, 1991
“A Woman On the Verge” by Liz Galst, THE ADVOCATE, February 26, 1991
“Daddy’s Girl” by Fred Camper, CHICAGO READER, February 8, 1991
“Intelligence, Grace and Visual Power” by Warren Sonbert, BAY AREA REPORTER, January 31, 1991
“Leading Women” by Liz Galst, BOSTON PHOENIX, December 14, 1990
“Voice Choices” by Manohla Dargis, VILLAGE VOICE, December 19, 1990
“Su’s Work Has Them Sitting Up On Those Extra Seats!” by Declan Hassett, CORK EXAMINER, October 11, 1990
“Avant-Garde Visions” by Manohla Dargis, VILLAGE VOICE, October 2, 1990
“Reves d’Americaines, reves brises” by Berenice Reynaud, JOURNAL LIBERATION, October 1990
“A Modernist Approach to Biography” by Caryn James, NEW YORK TIMES, September 30, 1990
“Experimental Visions” by Janice Berman, NEW YORK NEWSDAY, September 29, 1990
“The 1989 Whitney Biennial” by Theodor von Kunstadt, FLASH ART, Summer 1989
“Su Friedrich a Filmmaker To Be Taken On Her Own Terms” by Christopher Potter, ANN ARBOR NEWS, April 5, 1989
“The Ties That Bind” by Cindy Fuchs, CITY PAPER, March 1989
“Identity Crisis: The Lesbian and Gay Experimental Film Festival” by Tom Kalin, THE INDEPENDENT, Jan/Feb 1989
“Films” by Stuart Klawans, THE NATION, October 31, 1988
“Filmmaker Experiments with Sex and Religion” by David Ehrenreich, L.A. HERALD EXAMINER, June 1988
“Lasting Evidence: Women in the Director’s Chair” by Ramona Curry, AFTERIMAGE, May 1988
“Damned If You Don’t” by Helen Knode, L.A. WEEKLY, June 2, 1988
“Rotterdam International Film Festival” by Jonathan Rosenbaum, SIGHT AND SOUND, Spring 1988
“Perversely Independent” by Michael Bronsky, GAY COMMUNITY NEWS, November 8, 1987
“A Laying On of Images” by Andrew Rasanen, BAY WINDOWS, November 5, 1987
“Talking Pictures” by Amy Taubin, VILLAGE VOICE, October 13, 1987
“Experimental Films Worthy of the Name” by Jewelle Gomez, GAY COMMUNITY NEWS, September 1987
“Experimental Bent” by Amy Taubin, VILLAGE VOICE, September 15, 1987
“The State of Things (in New York Independent Filmmaking)” by Simon Field, THE BRITISH FILM INSTITUTE BULLETIN, January 1987
“The Ties That Bind” by Leigh Marlowe, PSYCHOLOGY OF WOMEN QUARTERLY, December 1986
“Un Regard Different” by Serge Dussault, LA PRESSE, June 1986
“Serious Fun” by David Edelstein, VILLAGE VOICE, April 1985
“`The Ties That Bind’ and ‘Witness To War'” by Vincent Canby, THE NEW YORK TIMES, April 1985
“Su Friedrich at the London Film Coop” by Jo Comino, CITY LIMITS, February 1985
“Struktur und Rhythmus” by Hedemarie Strauch, ZITTY, December 1984
“The Ties That Bind” by Barbara Kruger, ARTFORUM, October 1984
“History Now” by Harvey Nosowitz, CHICAGO READER, October 1984
“Due Registe Americane” by Giovanna Grassi, CORRIERE DELLA SERA, August 1984
“Speaking From the Outside” by Barbara Kossy, ARTWEEK, July 1984
“`Gently Down the Stream’ and ‘The Ties That Bind'” by J. Hoberman, VILLAGE VOICE, May 1984
“A Cutting Room of One’s Own” by Kathleen Hulser, IN THESE TIMES, January 1984
“New York International Film Festival” by Barbara Kruger, ARTFORUM, November 1983
“Experimental Film Program” by Linda Gross, L.A. TIMES, May 1982

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