{"id":11035,"date":"2013-06-08T17:36:22","date_gmt":"2013-06-08T21:36:22","guid":{"rendered":"http:\/\/www.microscopegallery.com\/?page_id=11035"},"modified":"2013-06-09T14:14:14","modified_gmt":"2013-06-09T18:14:14","slug":"11035-2","status":"publish","type":"page","link":"https:\/\/www.microscopegallery.com\/archive\/?page_id=11035","title":{"rendered":""},"content":{"rendered":"

Monday June 17, 7pm<\/strong><\/span>
\n VISUAL ERRATA + OTHER BENT FORMS<\/strong><\/span>
\n The Selected Works of Clint Enns<\/span>
\n admission $6 \u2014 artist in person<\/span>
\n approximately 66 minutes<\/span><\/h1>\n

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\nStill from Prepare to Qualify<\/em> (2008) \u00a9 Image courtesy of the artist
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\nMicroscope Gallery is very pleased to welcome visiting Canadian filmmaker Clint Enns for his first U.S. solo screening. Enns’ video works often feature glitch and circuit-bending experiments, remakes of classic avant-garde films, and bizarre appropriations. \u00a0His 2012 video remake of James Benning\u2019s film \u201cTen Skies\u201d, featuring only the cloud sections, was shown as part of Microscope\u2019s multi-program event \u201cNow What\u201d this January.<\/span>
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\nCLINT ENNS is a video artist and filmmaker from Toronto, Ontario, whose work primarily deals with moving images created with broken and\/or outdated technologies. His work has shown both nationally and internationally at festivals, alternative spaces and microcinemas including Onion City, Images Festival, \u00a0He has recently received a Master\u2019s degree in Cinema and Media from York University. His writings and interviews have appeared in Millennium Film Journal, Incite! Journal of Experimental Media and Spectacular Optical. (http:\/\/clintenns.tumblr.com\/)<\/span><\/p>\n

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\nProgram:<\/strong><\/span>
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\nOn Light, or the Ingression of Forms<\/strong><\/span>
\n video, 2007, 2:10 min<\/em><\/span>
\n \u201c… all that sense can comprehend, is Light: because it partakes of that which it is. To comprehend dark, or a shape, it must withdraw from its own nature \u2013 it must withdraw or turn against its own electrical illuminating nature in order to comprehend a shape.\u201d \u2013\u00a0 Brakhage paraphrasing from Robert Grosseteste\u2019s work, On Light, or the Ingression of Forms.<\/span>
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\nlight is the first bodily form video<\/strong><\/span>
\n video, 2007, 3:18 min<\/em><\/span>
\n Light is the first bodily form pays homage to the philosopher of light, Robert Grosseteste. The title is intended to be somewhat tongue-in-cheek since this video was made entirely in the dark, using only a circuit bent webcam. No additional computer effects were added to the video. The music is the Rain Serenade by natural snow buildings.<\/span>
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\nThe Death of Natural Language<\/strong><\/span>
\n video, 2007, 2:54 min<\/em><\/span>
\n An ASCII animation of a plane crashing. The abstracted image mediated by ascii text parallels modern human communication; visual literacy replaces written literacy. The music is miko by the beans.<\/span>
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\nwinnipeg stories: sacrificial memories<\/strong><\/span>
\n Super 8mm\/video, 2008, 4:38 min<\/em><\/span>
\n An experimental film made from discarded film footage found in thrift shops and flea markets in Winnipeg, Manitoba. Music is eu un miroir, obscurement by natural snow buildings.<\/span>
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\nThe Aesthetics of Failure<\/strong><\/span>
\n video, 2008, 2:40 min<\/em><\/span>
\n In the dead of winter, I went to a dance party in Winnipeg, Manitoba. This video simultaneously became about my inability to interact with people as well as my camera’s inability to properly interpret what was going on around me. Music is Trench by natural snow buildings.<\/span>
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\nPrepare to Qualify<\/strong><\/span>
\n video, 2008, 3:08 min<\/em><\/span>
\n A circuit bent Atari struggles to qualify as “good” or “valid” art.<\/span>
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\nputting yourself out there<\/strong><\/span>
\n video, 2009, 2:05 min<\/em><\/span>
\n A voyeuristic intervention into the lives of chat addicted users. This video is a commentary on the parasocial relationships often formed through internet communication. Music by Nick Krgovich.<\/span>
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\nwindshield baby gameboy movie<\/strong><\/span>
\n video, 2009, 1:47 min<\/em><\/span>
\n Video of a car crash is processes it through a Nintendo Gameboy camera. Short random bursts of classic video game blips replace the horrific sound of screaming metal and glass shattering.<\/span>
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\nBotched Eyeball Operation (with Denys Gareau)<\/strong><\/span>
\n video, 2007, 1:00 min<\/em><\/span>
\n Botched Eyeball Operation casts a voyeuristic gaze at a common operation gone awry. This is the video documentation of someone losing their sight. Music provided by Sea Wizard.<\/span>
\n This video was deemed unviewable and exploitative by the Winnipeg Short Film Massacre.<\/span>
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\nwhiplash<\/strong><\/span>
\n video, 2009, 0:28 min<\/em><\/span>
\n A video for Naked City’s Whiplash inspired by Henry Hills.<\/span>
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\nGleem<\/strong><\/span>
\n video, 2010, 2:00 min<\/em><\/span>
\n\u2028A re-make of a lost James Benning film titled Gleem, a sex negative film about maintaining those pearly whites.\u2028”I wasn’t entirely convinced I was straight until I saw this film.” – Guy Maddin\u2028\u2028Back + Forth\u2028Super 8 transfer to video, 2009, 3:20 min.\u2028Shot entirely in one take.\u00a0 This film documents the happenings on one of the strangest streets in Winnipeg.<\/span><\/p>\n

Back + Forth<\/strong><\/span>
\n Super 8mm, 2009, 3:2 min<\/em><\/span>
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*Intermission*<\/strong><\/span><\/p>\n

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Self Improvement<\/strong><\/span>
\n video, 2010, 2:54 min<\/em><\/span>
\n A self help video that rests somewhere between the realms of code hacking, archaic design and spiritual awakening.<\/span>
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\nSpider-Man Vs Macrovision<\/strong><\/span>
\n video, 2010, 2:49 min<\/em><\/span>
\n A video examining digital copy protection. Macrovision’s Ripguard is a technology designed to prevent or reduce digital DVD copying. By ignoring it, and copyright infringement in general, the artist is able to produce new and innovative work.<\/span>
\n “Digital disintegration and corrupted systems recombine into a strange new beauty.” – Toby Tatum<\/span>
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\nThe Women of Dr. Phil (with Les Klassen)<\/strong><\/span>
\n video, 2010, 1:28 min<\/em><\/span>
\n These are the women that the creators of the Dr. Phil show feel the intended demographic of suburban housewives will relate to.\u00a0 This is truly a depressing thought.\u2028”Apparently, the Stepford Wives are big Dr. Phil fans. Why so little emotion, ladies?” – Mike Everleth, Underground Film Journal<\/span>
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\nConnecting With Nature<\/strong><\/span>
\n video, 2011, 1:28 min<\/em><\/span>
\n An infomercial and an audio guide to spiritual enlightenment spawn an instructional video epitomizing New Age commodification.<\/span>
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\nSoftly Through the Night<\/strong><\/span>
\n video, 2011, 0:47 min<\/em><\/span>
\n Softly Through the Night features Enns with his arms tied behind his naked torso, dragging himself over 5kg of marshmallows.<\/span>
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\n747<\/strong><\/span>
\n video, 2011, 0:33 min<\/em><\/span>
\n Chris Burden’s 747 re-performed in Grand Theft Auto IV.<\/span>
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\nI For NDN (with Darryl Nepinak)<\/strong><\/span>
\n video, 2011, 1:34 min<\/em><\/span>
\n Retro children\u2019s TV takes a comical jab when one letter of the alphabet gets a new association.<\/span>
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\n(\u0326\u0325\u0354\u031d\u031ce\u0345\u033a\u0359\u031f\u0320\u031c\u0330b\u0320\u035a\u0359\u0353\u034eb\u0347\u0332s\u0345\u031e\u034d\u0324\u0354 \u033aa\u032c\u031e\u0345n\u031d\u0326\u0345d\u0333\u0329\u0359\u032f \u0355\u0354\u0319f\u035a\u0339\u0349\u035a\u0345\u032cl\u0316o\u033cw\u0326s\u034e\u0353\u0347)\u033b<\/strong><\/span>
\n video, 2011, 2:51 min<\/em><\/span>
\n the endless cosmic flow. a meditative video exploring a transition from truth to loving kindness.<\/span>
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\nTen \u0336S\u0336k\u0336i\u0336e\u0336s\u0336<\/strong><\/span>
\n video, 2012, 2:36 min<\/em><\/span>
\n A condensed version of James Benning’s Ten Skies (2006) with the skies removed.\u00a0 Nothing but the clouds remain.\u2028\u201cTen Skies is an achievement of a different order, destined for eternal, well-deserved obscurity!” – Michael Sicinski, Cinemascope<\/span>
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\nSplice Lines<\/strong><\/span>
\n video, 2012, 0:47 min<\/em><\/span>
\n Splices from Kurt Kren’s 6-64 Mama und Papa.<\/span>
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\nThe Everden<\/strong><\/span>
\n video, 2013, 16:33 min<\/em><\/span>
\n Conflicted emotions about the city. Fears and anxieties surrounding movement and travel. Fragile dreams become nightmarish realities.<\/span><\/p>\n

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Still from light is the first bodily form video <\/em>(2007) \u00a9 Image courtesy of the artist
\n\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Monday June 17, 7pm VISUAL ERRATA + OTHER BENT FORMS The Selected Works of Clint Enns admission $6 \u2014 artist in person approximately 66 minutes Still from Prepare to Qualify (2008) \u00a9 Image courtesy of the artist Microscope Gallery is very pleased to welcome visiting Canadian filmmaker Clint Enns for his first U.S. solo screening. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_mc_calendar":[],"footnotes":""},"class_list":["post-11035","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/11035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11035"}],"version-history":[{"count":8,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/11035\/revisions"}],"predecessor-version":[{"id":11050,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/11035\/revisions\/11050"}],"wp:attachment":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}