{"id":11789,"date":"2013-09-15T17:21:38","date_gmt":"2013-09-15T21:21:38","guid":{"rendered":"http:\/\/www.microscopegallery.com\/?page_id=11789"},"modified":"2013-09-15T17:31:20","modified_gmt":"2013-09-15T21:31:20","slug":"11789-2","status":"publish","type":"page","link":"https:\/\/www.microscopegallery.com\/archive\/?page_id=11789","title":{"rendered":""},"content":{"rendered":"

Friday September 20, 7.30pm<\/span><\/strong>
\nFrenkel Defects: Edition\u00a0I:\u00a0Process\u00a0Reversal<\/span><\/strong>
\nco-presented with MONO NO AWARE<\/span>
\nworks by Sarah Biagini, Nicolas Rey, Andrew Busti, Taylor Dunne, Philippe Leonard, Martha Juksaitis, Robert Schaller, & Kevin Rice<\/span>
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\nfollowed by Q&A with Kevin Rice of the Process Reversal Collective<\/span>
\nadmission $6 – doors 7:30, screening promptly at 8pm<\/span><\/em><\/h1>\n

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\nStill from Sanctuary <\/em>(by Kevin Rice)
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\n\u201cFrenkel Defects\u201d is an intermittent, mobile film program focusing on film works from among artist run film labs and film collectives. \u201cEdition I: Process Reversal\u201d focuses on the short Super 8 and 16mm film works made by members of ProcessReversal.org, Double Negative, HandMade FIlm Institute, and Cherry Kino. The screening includes works on film by the following artists: Sarah Biagini, Nicolas Rey, Andrew Busti, Taylor Dunne, Philippe Leonard, Martha Jurksaitis, Robert Schaller, & Kevin Rice.<\/span>
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\nKevin Rice will in attendance for Q & A after the screening and will be leading a workshop with MONO NO AWARE on Hand-made emulsion techniques September 22nd (http:\/\/mononoawarefilm.com\/workshop\/2013\/09\/handmade-emulsion-workshop\/) Additionally, filmmakers Sarah Biagini and Philippe Leonard will be in person.<\/span>
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\nPROGRAM includes:<\/span><\/strong>
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\n\u2028I Swim Now<\/strong> by Sarah Biagini (of Process Reversal)<\/span>
\n\u202816mm, 8.5 minutes, 1.33:1, optical sound, B&W\u2028<\/span><\/em>
\nI Swim Now<\/em> challenges the visual intelligibility of landscape aesthetics by imagining the experiences of one Violet Jessop, a stewardess on board all three sister ships of the White Star Line \u2013 the Olympic, the Titanic, and the Britannic \u2013 while each suffered varying degrees of collision and wreckage at sea. I Swim Now<\/em> evokes the intense brutality and repetition of Violet\u2019s unique physical interactions with nature through an expansive accumulation of optical techniques and manipulations.\u2028\u2028<\/span>
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\nTerminus for You<\/strong> by Nicolas Rey (of L’Abominable)<\/span>
\n\u202816mm, 10 minutes, 1.33:1, optical sound, B&W\u2028<\/span><\/em>
\nTerminus for you<\/em>, by Nicolas Rey, takes us on a strange journey. That of passengers in the Paris metro. they use a moving railway which takes them from one platform to another, from one line to another and from one destination to the next\u2026\u201d –Bertrand Bacqu\u00e9 \u2013 Visions du R\u00e9el (Nyon) Catalog 1997<\/span>
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\n\u2028At Hand<\/strong> by Andrew Busti \u2028<\/span>
\n16mm, 9 minutes, 1.33:1, optical sound, B&W\u2028\u2028<\/span><\/em>
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\nCornmother<\/strong>\u00a0by Taylor Dunne (of Process Reversal)<\/span>
\n\u2028Super 8, 6 minutes, 1.33:1, silent, Tungsten<\/span><\/em>
\n\u2028A single cartridge of Super 8 captures my mothers last visit to her garden. Her body is seen slowly dissolving towards illumination, while her image is forever immortalized in light and silver. Poem borrowed from the Wabanaki creation myth of the first woman, The Corn and Tobacco Mother.<\/span>
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\n\u2028\u2028Perceptual Subjectivity<\/strong> by Philippe Leonard (of Double Negative Collective)\u2028<\/span>
\n6 minutes, 1.33:1, optical sound, B&W\u2028<\/span><\/em>
\nIdeas take shape in a kind of cerebral magma where the referents are assigned to parcels of experience from which intelligible elements are formed. Perceptual Subjectivity<\/em> is an essay on the structural formation of thoughts.<\/span>
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\n\u2028\u2028Salt<\/strong> by Martha Jurksaitis (of Cherry Kino)<\/span>
\n\u20288 min., 1.33:1, silent, Tungsten\u2028<\/span><\/em>
\nA vision of women playing in the sea at Saltburn in North Yorkshire becomes a celebration of the material nature of film. The silver salts in film that react to light also react to the metallic salts in film toners, and a multi-coloured seascape emerges from the salt of the sea. Filmed on a part of the beach that was once notorious for shipwrecks, Salt<\/em> is a love letter to film and to the churning, crashing, passionate sea. The opening symbol is the alchemical symbol for salt.<\/span>
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\n\u2028\u2028Suscia<\/strong>\u00a0by Robert Schaller (of The Handmade Film Institute)\u2028<\/span>
\n5 minutes, 1.33:1, silent, B&W\u2028<\/span><\/em>
\n“(mostly) shot with my handmade pinhole camera, hand-processed 7363, and part of it (the part shot in a Bolex) manipulated using a homemade self-programmed machine…”<\/span>
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\n\u2028\u2028Sanctuary<\/strong> by Kevin Rice (of Process Reversal)<\/span>
\n3 minutes, 1.33:1, silent, Tungsten<\/span><\/em>
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\nTRT: approximately 56 minutes<\/em><\/span>
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\nStill from At Hand<\/em> (by Andrew Busti)
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\nMore info about MONO NO AWARE can be found at <\/span>WWW.MONONOAWAREFILM.COM<\/span><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Friday September 20, 7.30pm Frenkel Defects: Edition\u00a0I:\u00a0Process\u00a0Reversal co-presented with MONO NO AWARE works by Sarah Biagini, Nicolas Rey, Andrew Busti, Taylor Dunne, Philippe Leonard, Martha Juksaitis, Robert Schaller, & Kevin Rice followed by Q&A with Kevin Rice of the Process Reversal Collective admission $6 – doors 7:30, screening promptly at 8pm Still from Sanctuary (by […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_mc_calendar":[],"footnotes":""},"class_list":["post-11789","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/11789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11789"}],"version-history":[{"count":7,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/11789\/revisions"}],"predecessor-version":[{"id":11792,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/11789\/revisions\/11792"}],"wp:attachment":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}