{"id":13743,"date":"2014-06-28T16:11:45","date_gmt":"2014-06-28T20:11:45","guid":{"rendered":"http:\/\/www.microscopegallery.com\/?page_id=13743"},"modified":"2014-06-30T14:59:57","modified_gmt":"2014-06-30T18:59:57","slug":"13743-2","status":"publish","type":"page","link":"https:\/\/www.microscopegallery.com\/archive\/?page_id=13743","title":{"rendered":""},"content":{"rendered":"<h1><span style=\"color: #000000;\">Thursday July 3, 7pm<\/span><br \/>\n<strong><span style=\"color: #000000;\">Hybrids {with Avant Ads}<\/span><\/strong><br \/>\n<strong><span style=\"color: #000000;\">curated by Bradley Eros<\/span><\/strong><br \/>\n<span style=\"color: #000000;\">w\/ works by Walter Ruttmann, Len Lye, Peter Kubelka, Scott Bartlett, Victoria Keddie &amp; Scott Kiernan, Kenneth Zoran Curwood, Gill Arno, Jeannie Liotta, Lary 7, Aline Mare, and Bradley Eros<\/span><br \/>\n<em><span style=\"color: #000000;\">suggested donation $6 &#8211; Bradley Eros and other artists in person<\/span><\/em><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-13744\" title=\"eau de cinema\" src=\"http:\/\/microscope.webfactional.com\/wp-content\/uploads\/2014\/06\/eau-de-cinema.jpg\" alt=\"\" width=\"583\" height=\"427\" srcset=\"https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2014\/06\/eau-de-cinema.jpg 648w, https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2014\/06\/eau-de-cinema-300x219.jpg 300w\" sizes=\"auto, (max-width: 583px) 100vw, 583px\" \/><\/h1>\n<p><span style=\"color: #808080;\">Still from <em>eau de cinema <\/em>(Bradley Eros, 2014)\u00a0 \u00a9 courtesy of the artist<\/span><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\">In connection with his current solo exhibition at the gallery\u00a0<\/span><span style=\"color: #000000;\"><strong><a href=\"http:\/\/www.microscopegallery.com\/?page_id=13622\"><span style=\"color: #000000;\">eau de cinema: constellations &amp; contradictions<\/span><\/a><\/strong><\/span><span style=\"color: #000000;\">, Bradley Eros presents a special screening event of historical and present day works, including several of his own collaborative pieces. The program focuses on two concepts essential to his exhibition: \u201cHybrids\u201d, those bridging the distinction or separation between film and video, as a form of synaesthetic cinema that combines elements of both, and \u201cAvant Ads\u201d, or experimental films made as (often subversive) advertisements, or (often failed) promotional films.<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\">The \u201cHybrids\u201d section features \u201cOffOn\u201d, the pioneering film by Scott Bartlett from 1968, including an examination into how it was made as well as recent works from Victoria Keddie &amp; Scott Kiernan (of ESP Lab),\u00a0Kenneth Zoran Curwood, Gill Arno, and Lary7 as well as Eros\u2019 early collaborations with Aline Mare (as Erotic Psyche) and with Jeanne Liotta (as Mediamystics), and editing projects with Tim Geraghty.<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\">\u201cAvant Ads\u201d includes classic avant-garde works made as or from TV commercials by Walter Ruttmann, Peter Kubelka, Len Lye, and Eros\u2019 own contemporary anti-ads.<\/span><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><span style=\"color: #000000;\">Program includes:<\/span><\/strong><br \/>\n<strong><\/strong><br \/>\n<em><span style=\"color: #000000;\">Avant Ads<\/span><\/em><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><em>Der Sieger<\/em>\u00a0(1921) &amp;\u00a0<em>Das Wunder<\/em>\u00a0(1922) by Walter Ruttmann<\/span><br \/>\n<span style=\"color: #000000;\"><em>Trade Tattoo<\/em>\u00a0(1937) &amp;\u00a0<em>Colour Flight<\/em>\u00a0(1938) by Len Lye<\/span><br \/>\n<span style=\"color: #000000;\"><em>Schwechater<\/em>\u00a0(1958) by Peter Kubelka<\/span><br \/>\n<span style=\"color: #000000;\"><em>S\u00e9ance<\/em>\u00a0(trailer) (2010) &amp;\u00a0<em>eau de cinema<\/em>\u00a0(2014) by Bradley Eros<\/span><br \/>\n<strong><\/strong><br \/>\n<em> <span style=\"color: #000000;\">Hybrids <\/span><\/em><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><em>OffOn<\/em>\u00a0(1968) &amp;\u00a0<em>Making OffOn<\/em>\u00a0(1981) by Scott Bartlett<\/span><br \/>\n<span style=\"color: #000000;\"><em>33<\/em>\u00a0(2014) by Victoria Keddie &amp; Scott Kiernan (ESP Lab)<\/span><br \/>\n<span style=\"color: #000000;\"><em>Let\u2019s See<\/em> \/ <em>Crappy Enough<\/em>\u00a0(2014) by Kenneth Zoran Curwood<\/span><br \/>\n<span style=\"color: #000000;\">Untitled (2014) by Gill Arno<\/span><br \/>\n<span style=\"color: #000000;\"><em>SOMA SEMA<\/em>\u00a0(1988) by Bradley Eros &amp; Jeanne Liotta<\/span><br \/>\n<span style=\"color: #000000;\"><em>Venus to Penis<\/em>\u00a0(1983) by Bradley Eros &amp; Aline Mare<\/span><br \/>\n<span style=\"color: #000000;\"><em>Before the Transmitter Went Cold\u00a0(or, The Last Moment of Analog TV)\u00a0<\/em>(2009) by Lary 7<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\">_<\/span><br \/>\n<span style=\"color: #000000;\">Bradley Eros\u00a0is a Brooklyn-based artist working in multiple mediums. His works have exhibited and screened extensively in the US and abroad including at The Whitney Biennial, The Whitney Museum\u2019s series\u00a0The American Century, MoMA, The Andy Warhol Museum, MoMA PS1, Camden Arts Center (London), Anthology Film Archives, Arsenal (Berlin), Participant Inc., The Kitchen, Performa09, Exit Art, White Box, LMAK Projects, and The New York, London and Rotterdam Film Festivals. Collaborations include the\u00a0Alchemical Theater, the band\u00a0Circle X,\u00a0Voom HD Lab, and the expanded cinema groups\u00a0kinoSonik,\u00a0Arcane Project\u00a0and currently\u00a0Optipus.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thursday July 3, 7pm Hybrids {with Avant Ads} curated by Bradley Eros w\/ works by Walter Ruttmann, Len Lye, Peter Kubelka, Scott Bartlett, Victoria Keddie &amp; Scott Kiernan, Kenneth Zoran Curwood, Gill Arno, Jeannie Liotta, Lary 7, Aline Mare, and Bradley Eros suggested donation $6 &#8211; Bradley Eros and other artists in person Still from [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mc_calendar":[],"footnotes":""},"class_list":["post-13743","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/13743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13743"}],"version-history":[{"count":8,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/13743\/revisions"}],"predecessor-version":[{"id":13757,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/13743\/revisions\/13757"}],"wp:attachment":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}