{"id":14750,"date":"2014-11-08T01:47:36","date_gmt":"2014-11-08T06:47:36","guid":{"rendered":"http:\/\/www.microscopegallery.com\/?page_id=14750"},"modified":"2014-11-08T01:48:39","modified_gmt":"2014-11-08T06:48:39","slug":"14750-2","status":"publish","type":"page","link":"https:\/\/www.microscopegallery.com\/archive\/?page_id=14750","title":{"rendered":""},"content":{"rendered":"<h1><span style=\"color: #000000;\">Thursday November 13, 7.30pm<\/span><br \/>\n<strong><span style=\"color: #000000;\">Paris, 1980s: Deconstructed Narratives and Late Formalisms <\/span><\/strong><br \/>\n<strong><span style=\"color: #000000;\">16mm films by Jean-Pierre Bertrand, David Wharry, Unglee, Jakobois, and T\u00e9o Hernandez<\/span><\/strong><br \/>\n<span style=\"color: #000000;\">curated by Enrico Camporesi<\/span><br \/>\n<em><span style=\"color: #000000;\">admission $7 &#8211; curator in attendance<\/span><\/em><\/h1>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14751\" src=\"http:\/\/microscope.webfactional.com\/wp-content\/uploads\/2014\/11\/4954.jpg\" alt=\"4954\" width=\"648\" height=\"461\" srcset=\"https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2014\/11\/4954.jpg 648w, https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2014\/11\/4954-300x213.jpg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><br \/>\n<span style=\"color: #808080;\">Still from A Touch of Venus &#8211; General Picture. Episode 11 (David Wharry, 1980)<\/span><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\">Microscope is very pleased to welcome back Paris-based curator and researcher Enrico Camporesi for a second survey of 16mm films selected from the Light Cone collection (Paris). The evening includes works by Jean-Pierre Bertrand, David Wharry, Unglee, Jakobois, and T\u00e9o Hernandez that have rarely, if ever, screened in the US.<\/span><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\">Program notes by Enrico Camporesi follow:<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\">This program gathers five films from the early 1980s, and wishes to present an overview of a diverse variety of artistic practices of the time. Ideally the works presented in the program revolve around two main axes: narrative and form. At first the importance of &#8216;structural&#8217; filmmaking can still be witnessed. The inquiry into the specific properties of film is developed both in an unconscious, indirect way (as in The Diamon&#8217;d by conceptual artist Jean-Pierre Bertrand) or else dismantled with sense of humor (as in the work of Jakobois). Narrative, in its deconstructed configuration, is at the core of the works by Unglee and David Wharry, the two of them openly playing with genre codes and tropes (science-fiction and mystery). L&#8217;Eau de la Seine by Mexican born filmmaker T\u00e9o Hernandez closes the program with the portrait of one of Paris&#8217; most iconic elements, the Seine, which rapidly turns into an almost-entire abstract imagery. In these juxtaposition of heterogenous individual practices, mutual strategies and concerns emerge, thus enabling to see what could be defined one of the most challenging moments in experimental and artist&#8217;s film in France. &#8211; EC<\/span><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><span style=\"color: #000000;\">Program:<\/span><\/strong><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>The Diamon&#8217;d<\/strong> (Jean-Pierre Bertrand, 1981)<\/span><br \/>\n<span style=\"color: #000000;\">16 mm \/ col. \/ sil. \/ 1:30 min<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>A Touch of Venus &#8211; General Picture. Episode 11<\/strong> (David Wharry, 1980)<\/span><br \/>\n<span style=\"color: #000000;\">16 mm \/ col. \/ mag. sound \/ 8 min<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>Radio-Serpent<\/strong> (Unglee, 1980)<\/span><br \/>\n<span style=\"color: #000000;\">16 mm \/ col. \/ op. sound \/ 12 min<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>D\u00e9j\u00e0 ? Vu<\/strong> (Jakobois, 1980)<\/span><br \/>\n<span style=\"color: #000000;\">16 mm \/ col. \/ sound on CD \/ 10:30 min<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>L&#8217;Eau de la Seine<\/strong> (T\u00e9o Hernandez, 1982-1983)<\/span><br \/>\n<span style=\"color: #000000;\">16 mm (or. Super 8) \/ col. \/ sil. \/ 18 min<\/span><br \/>\n<strong><\/strong><br \/>\n<em><span style=\"color: #000000;\">Total running time: 50&#8242; <\/span><\/em><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\">_<\/span><br \/>\n<span style=\"color: #000000;\">Enrico Camporesi is an Italian writer and curator based in Paris. He is a research fellow at Centre Pompidou and he is currently writing a Ph. D dissertation on matters of restoration and museology of experimental and artist\u2019s film. He recently curated (with Jonathan Pouthier) the program &#8216;Duchamp du film&#8217; at Centre Pompidou, and he edited Jean-Michel Bouhours on Paolo Gioli (Paris: Light Cone Editions, 2014). <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\">Light Cone is a non-profit making organization with the aim of promoting, distributing and preserving experimental cinema. Its remit covers the different historical forms, as well as contemporary research, both in France and abroad. Its collection is by virtue of its size and comprehensiveness one of the most important and valuable collections of experimental film in Europe. Light Cone distributes nearly 3700 works \u2013 Super-8, 35mm and above all 16mm films, works of expanded cinema (multi-screen projection) as well as analogue and digital videos. More than 500 international artists and filmmakers made these films from 1905 onwards to the present day.<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><em>Microscope Gallery gratefully acknowledges the Robert D. Bielecki Foundation as the Official Sponsor of our Event Series.<\/em><\/span><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14752\" src=\"http:\/\/microscope.webfactional.com\/wp-content\/uploads\/2014\/11\/Deja-Vu.jpg\" alt=\"Deja Vu\" width=\"648\" height=\"498\" srcset=\"https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2014\/11\/Deja-Vu.jpg 648w, https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2014\/11\/Deja-Vu-300x230.jpg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><br \/>\n<span style=\"color: #808080;\">Still from D\u00e9j\u00e0 ? Vu (Jakobois, 1980)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thursday November 13, 7.30pm Paris, 1980s: Deconstructed Narratives and Late Formalisms 16mm films by Jean-Pierre Bertrand, David Wharry, Unglee, Jakobois, and T\u00e9o Hernandez curated by Enrico Camporesi admission $7 &#8211; curator in attendance Still from A Touch of Venus &#8211; General Picture. Episode 11 (David Wharry, 1980) Microscope is very pleased to welcome back Paris-based [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mc_calendar":[],"footnotes":""},"class_list":["post-14750","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/14750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14750"}],"version-history":[{"count":3,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/14750\/revisions"}],"predecessor-version":[{"id":14755,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/14750\/revisions\/14755"}],"wp:attachment":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}