{"id":16027,"date":"2015-06-09T00:01:19","date_gmt":"2015-06-09T04:01:19","guid":{"rendered":"http:\/\/www.microscopegallery.com\/?page_id=16027"},"modified":"2015-06-09T18:53:55","modified_gmt":"2015-06-09T22:53:55","slug":"16027-2","status":"publish","type":"page","link":"https:\/\/www.microscopegallery.com\/archive\/?page_id=16027","title":{"rendered":""},"content":{"rendered":"

Saturday June 13, 7:30pm<\/span>
\npositioning systems<\/span><\/strong>
\ncurated by Zach Nader<\/span>
\nadmission $6 \u2013 Nader along with several artists on the program in attendance<\/span><\/em><\/h1>\n

<\/strong><\/p>\n

\"Eva<\/p>\n

Still from Terraload<\/em> (Eva Papamargariti, 2014) – image courtesy of the artist<\/span>
\n\u00a0<\/span>
\n<\/strong>
\n<\/strong>
\nMicroscope is pleased to present positioning systems, an international program of mostly new and recent videos curated by artist Zach Nader featuring works by\u00a0Mark Collop, Rick Silva, Tamara Johnson, Sara Ludy, Eric Shows, Andrew Deutsch & Stephen Vitiello, Joe Hamilton, Lisa McCarty, Nicholas O\u2019Brien, Leah Beeferman, Eva Papamargariti, Tribble & Mancenido w\/John Dombroski, Lukas Marxt, Michelle Leftheris, Thomas Dexter, and Javier Bosques.<\/span><\/p>\n

“How do you jump a fence you cannot see? To make a map is to chart a new version of the world and to outline new boundaries. These 17 videos are elaborate rituals wrapped in digital containers to outline places where knowledge and confusion coalesce. Like flashes of light into nothing, each one is an expansion on what can and cannot be known and how we might locate ourselves within an accelerating universe.” – Zach Nader<\/span>
\n<\/strong>
\n\u00a0 <\/span><\/p>\n

Program:<\/span><\/strong>
\n\u00a0<\/span>
\nDog Fetch<\/span><\/strong>
\nby Mark Collop, video, color, sound, 2007, 3 minute version<\/span>
\n\u00a0<\/span>
\nThe Silva Field Guide to Birds of a Parallel Future<\/span><\/strong>
\nby Rick Silva, HD, color, sound, 2014, 30 seconds (from a 27-min project)<\/span>
\n\u00a0<\/span>
\nWandering Yard<\/span><\/strong>
\nby Tamara Johnson, performance with fur, cotton, plaster, paint, remote-control car, HD video, color, sound, 2013, 2 minutes 14 seconds<\/span>
\n\u00a0<\/span>
\nDream House<\/span><\/strong>
\nby Sara Ludy, HD video, color, sound, 2014, 10 minutes<\/span>
\n\u00a0<\/span>
\nRestoring Force<\/span><\/strong>
\nby Eric Shows, HD video color, sound, 2015, 2 minutes 15 seconds<\/span>
\n\u00a0<\/span>
\nNature<\/span><\/strong>
\nby Andrew Deutsch (sound and video) and Stephen Vitello (sound), color, sound, 2014, 3 minutes 55 seconds<\/span>
\n\u00a0<\/span>
\nStream<\/span><\/strong>
\nby Joe Hamilton, HD video, color, sound, 2014, 2 minutes 40 seconds<\/span>
\n\u00a0<\/span>
\nFlash Bar<\/span><\/strong>
\nby Lisa McCarty, video, color, sound, 2011, 46 seconds<\/span>
\n\u00a0<\/span>
\nFarms at the End of Winter<\/span><\/strong>
\nby Nicholas O\u2019Brien, HD video, color, sound, 2013, 3 minutes 9 seconds<\/span>
\n\u00a0<\/span>
\nEMPTY SPACE<\/span><\/strong>
\nby Leah Beeferman, HD video, color, silent, 2015, 11 minutes 32 seconds<\/span>
\n\u00a0<\/span>
\nTerraload<\/span><\/strong>
\nby Eva Papamargariti, HD video, color, sound, 2014, 2 minutes 12 seconds<\/span>
\n\u00a0<\/span>
\nAssimilation is a Bad Word<\/span><\/strong>
\nby Tribble & Mancenido, HD video, color, sound, 2012, 4 minutes 12 seconds<\/span>
\nsound collaboration with John Dombroski<\/span>
\n\u00a0<\/span>
\nThe Silva Field Guide to Birds of a Parallel Future<\/span><\/strong>
\nRick Silva, HD video, color, sound, 2014, 31 seconds (from a 27-min project)<\/span>
\n\u00a0<\/span>
\nReign of Silence<\/span><\/strong>
\nby Lukas Marxt, HD video, color, sound, 2013, 7 minutes 21 seconds<\/span>
\n\u00a0<\/span>
\nFrom Hand to Eye<\/span><\/strong>
\nby Michelle Leftheris, HD video, color, sound, 2011, 1 minute 37 seconds<\/span>
\n\u00a0<\/span><\/em>
\nSpin Cycle: Horizon II<\/span><\/strong>
\nby Thomas Dexter, HD video, color, sound, 2012, 4 minutes 24 seconds<\/span>
\n\u00a0<\/span>
\nNaranjito<\/span><\/strong>
\nby Javier Bosques, HD video, color, sound, 2014, 5 minutes 15 seconds<\/span>
\n\u00a0<\/span>
\n\u00a0<\/span>
\nRunning time: approx. 65 minutes<\/span><\/em>
\n\u00a0<\/span><\/em>
\n<\/strong>
\n_<\/span>
\nZACH NADER is a Brooklyn-based artist originally from Dallas, Texas. His reworking of existing photographic imagery has been exhibited nationally and internationally including recently as part of a month-long nightly video installation on advertisement billboards as part of Midnight Moment in New York Times Square, Breaking Ground: Contemporary Photography, College of William & Mary, inaugurating the University\u2019s Department of Photography in 2014, and his 2015 solo exhibition \u201cchannel surf\u201d at Microscope Gallery. He is a co-founder of the collaborative artist project useful pictures, which highlights the work of artists who actively complicate the photographic alongside a culture of instant and global image sharing. Nader completed an Art & Science Residency this past fall at The Pioneer Works Center for Art and Innovation in Brooklyn, NY.<\/span><\/p>\n

\n<\/strong>
\n\"Tamara<\/p>\n

Still from Wandering Yard<\/em> (Tamara Johnson, 2013) – image courtesy of the artist<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Saturday June 13, 7:30pm positioning systems curated by Zach Nader admission $6 \u2013 Nader along with several artists on the program in attendance Still from Terraload (Eva Papamargariti, 2014) – image courtesy of the artist \u00a0 Microscope is pleased to present positioning systems, an international program of mostly new and recent videos curated by artist […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mc_calendar":[],"footnotes":""},"class_list":["post-16027","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/16027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16027"}],"version-history":[{"count":5,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/16027\/revisions"}],"predecessor-version":[{"id":16065,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/16027\/revisions\/16065"}],"wp:attachment":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}