{"id":16910,"date":"2015-10-21T02:38:37","date_gmt":"2015-10-21T06:38:37","guid":{"rendered":"http:\/\/www.microscopegallery.com\/?page_id=16910"},"modified":"2015-10-21T02:50:45","modified_gmt":"2015-10-21T06:50:45","slug":"16910-2","status":"publish","type":"page","link":"https:\/\/www.microscopegallery.com\/archive\/?page_id=16910","title":{"rendered":""},"content":{"rendered":"

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Monday October 26, 7:30pm<\/span>
\nNegative Light:\u00a0Recent Experimental Film and Video from the UK<\/span><\/strong>
\n curated by Simon Payne<\/span><\/strong>
\nSimon Payne and Neil Henderson in attendance<\/span><\/em>
\nFree for Members!<\/span><\/em><\/p>\n

Works by: Maria Anastassiou, Nick Collins, Nicky Hamlyn, Neil Henderson, Jamie Jenkinson, Jennifer Nightingale, Simon Payne, Karolina Raczynski, Guy Sherwin<\/span><\/em><\/p>\n<\/h1>\n

\"Negative<\/p>\n

Stills from works by Maria Anastassiou, Nicky Hamlyn, Neil Henderson, Karolina Raczynski (top-left to bottom-right)<\/span>
\nImages courtesy of the artists<\/span><\/p>\n

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Microscope is very pleased to welcome London-based artist and curator Simon Payne to the gallery for the first time with a program of moving image works from the United Kingdom\u00a0by Maria Anastassiou, Nick Collins, Nicky Hamlyn, Neil Henderson, Jamie Jenkinson, Jennifer Nightingale, Simon Payne, Karolina Raczynski, and Guy Sherwin,\u00a0most of which are screening in New York for the first time. <\/span><\/p>\n

The program, which consists or both emerging and internationally recognized artists, includes 16mm films, video, live Skype and double projection among its various formats. <\/span><\/p>\n

“Darkness prevails as much as light, intervals between frames preside over images, and content verges on abstraction. The films and videos here are antithetical to moving image culture at large and in this respect they might be also casting a negative light, but the stance they share is a positive pursuit of poetic and transformative devices. Negation is a point of departure each time and a motivating force.” – Simon Payne<\/span><\/p>\n

Artist and program curator Simon Payne along with artist Neil Henderson will be in attendance to introduce the screening and are available for the Q&A afterwards.<\/span><\/p>\n

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\nSimon Payne has shown work at numerous international festivals and venues and has also programmed work for Tate Modern, Tate Britain, Anthology Film Archives, New York and the Hermitage Museum in St. Petersburg. This program relates to an essay that he is currently writing for\u00a0Senses of Cinema. <\/span><\/p>\n

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$7 – general admission<\/span>
\n$5 – students under 29 and seniors w\/ valid ID<\/span>
\nfree for Members<\/span><\/p>\n

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Program:<\/span><\/strong><\/p>\n

Lightning Strikes<\/strong> <\/span>
\nMaria Anastassiou, 16mm film, sound, looped, 2013<\/span><\/em>
\nRestructured footage of a documentary from the American National Weather Centre, Boulder, Colorado. By obliterating and abstracting the information contained in the documentary, the appropriated footage is stripped back to its basic elements of light and sound.\u00a0The rhythm of the piece is determined by the projector apparatus: the 22 frames that separate the frame gate from the optical sound reader.<\/span><\/p>\n

Rectangle Window Arch Window<\/strong> <\/span>
\nJennifer Nightingale, 16mm film, color, silent, 10 minutes, 2013<\/span><\/em>
\nA 400-foot pinhole film in which the window becomes lens, the room becomes camera, and the artist is the camera mechanism. <\/span><\/p>\n

Dark Garden<\/strong> <\/span>
\nNick Collins, 16mm film, b\/w, silent, 9 minutes, 2011<\/span><\/em>
\nThe filmmaker\u2019s garden shot at night from a single light source in winter. A lyrical film in which the form of deciduous plants appear out of the darkness of nighttime and film emulsion, or disappear into lit snow and white transparency.\u00a0 \u00a0<\/span><\/p>\n

Seven Windsor Films<\/span><\/strong>
\nNicky Hamlyn, 16mm film, color and b\/w, silent, 18 minutes, 2012<\/span><\/em>
\nA suite of seven short films made during a residency hosted jointly by the Art Gallery of Windsor and Media City Film Festival in Windsor, Ontario, Canada. The five black and white sections were hand-processed and printed with negative and positive imagery appearing equally. Most of the films involve objects and spaces in the gallery itself, shot in a manner that makes for high-contrast kinetic patterns.<\/span><\/p>\n

Candle<\/span><\/strong>
\nNeil Henderson, 16mm film, b\/w, silent, 5 minutes, 2009<\/span><\/em>
\nA film the duration of which documents the development of a polaroid photograph, but in reverse. A subtle flicker is suggested by the film\u2019s grain, and as the image of the candle disappears into whiteness the film illuminates the screen.<\/span><\/p>\n

Signals<\/strong> <\/span>
\nKarolina Raczynski, Skype video, projector and handheld mirrors,\u00a0duration variable, 2013<\/span><\/em>
\nSignals\u00a0has been arranged and performed in various ways. The central requirements are two audiences, or one audience and the artist, located in separate places \u2013 perhaps in adjoining rooms, perhaps in different countries. A Skype connection is set up between them, with the addition of a video projector at each location, which is turned towards the audience\/artist, creating a light source that the audiences\/artist reflect back, signaling to the other party.<\/span><\/p>\n

NOT AND OR<\/strong> <\/span>
\nSimon Payne, single-channel video, b\/w and color, silent, 18 minutes. 2014<\/span><\/em>
\nNOT AND OR\u00a0involves black and white quadrilaterals spinning in virtual space that alternate with the same static shapes re-filmed from a screen in real space. The second half of the piece is the same as the first, but flipped, reversed and re-filmed again, through successive generations – adding while taking away.<\/span><\/p>\n

Apple, Structure, Shutter, Butterfly Garden, Day Room\u00a0and\u00a0Blind Bumps<\/strong> <\/span>
\nJamie Jenkinson, single-channel video, color, sound, 5 minutes, 2012-15<\/span><\/em>
\nA selection of short video piece made using an iPhone and idiosyncratic approach to \u2018shooting\u2019 which renders concrete objects fluid and disperses the pattern of the raster image in new and unexpected ways. <\/span><\/p>\n

Cycles #3\u00a0(1972\/2003)<\/span><\/strong>
\nGuy Sherwin, two 16mm projectors w\/ optical soundtracks, 1972\/2003<\/span><\/em>
\nThe material used in\u00a0Cycles\u00a0(1972\/77) is recycled for two screens and two soundtracks, with one tinted screen set inside a second b\/w screen. This combination gives rise to a surprising range of induced colours and afterimages, as well as complex cross-rhythms in the soundtrack. The projector performance includes subtle shifts of focus with changes in volume and tone.<\/span><\/p>\n

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\"Negative<\/p>\n

Still from “NOT AND OR” (Simon Payne, 2014) – image courtesy of the artist<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Monday October 26, 7:30pm Negative Light:\u00a0Recent Experimental Film and Video from the UK curated by Simon Payne Simon Payne and Neil Henderson in attendance Free for Members! Works by: Maria Anastassiou, Nick Collins, Nicky Hamlyn, Neil Henderson, Jamie Jenkinson, Jennifer Nightingale, Simon Payne, Karolina Raczynski, Guy Sherwin Stills from works by Maria Anastassiou, Nicky Hamlyn, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mc_calendar":[],"footnotes":""},"class_list":["post-16910","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/16910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16910"}],"version-history":[{"count":7,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/16910\/revisions"}],"predecessor-version":[{"id":16919,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/16910\/revisions\/16919"}],"wp:attachment":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}