{"id":17236,"date":"2015-12-10T14:45:00","date_gmt":"2015-12-10T19:45:00","guid":{"rendered":"http:\/\/www.microscopegallery.com\/?page_id=17236"},"modified":"2015-12-10T15:28:39","modified_gmt":"2015-12-10T20:28:39","slug":"17236-2","status":"publish","type":"page","link":"https:\/\/www.microscopegallery.com\/archive\/?page_id=17236","title":{"rendered":""},"content":{"rendered":"<h1><span style=\"color: #000000;\">Sunday December 13, 7pm<\/span><br \/>\n<strong><span style=\"color: #000000;\">KEN JACOBS \/ BRUCE MCCLURE<\/span><\/strong><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\">as part of <em>Never Twice<\/em><\/span><\/h1>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-17214\" src=\"http:\/\/microscope.webfactional.com\/wp-content\/uploads\/2015\/12\/Black-Space_Ken-Jacobs.jpg\" alt=\"Black Space_Ken Jacobs\" width=\"650\" height=\"488\" srcset=\"https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2015\/12\/Black-Space_Ken-Jacobs.jpg 720w, https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2015\/12\/Black-Space_Ken-Jacobs-300x225.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><br \/>\n<span style=\"color: #808080;\">From \u201cBlack Space\u201d by Ken Jacobs (2015) \u2013 image courtesy of the artist<\/span><br \/>\n<strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #000000;\">Ken Jacobs<\/span><\/strong><br \/>\n<strong><span style=\"color: #000000;\">BLACK SPACE<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">&#8220;In 3 parts. \u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">1) Islands of sensation: audience seated in total darkness and requested not to fill it with their knowledge of others sharing the space and even of their own bodies but asked to locate the area of pressure against their chair (immediately forgetting the word\u00a0\u201cchair&#8221;, as clear as they can and then best as they can hold it in mind as they\u00a0relate it in space to other sensations, to\u00a0pressure against the soles of their feet from contact with the floor and to the location of my guiding\u00a0voice and to any sound from others seated (what others?) or to anything felt within their bodies (which don\u2019t exist except as more black space within an infinity of black space), all islands of sensation contributing to a constellation of sensation. \u00a0 <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">2) Surround-sound:\u00a0as with real estate,\u00a0location is everything, still in black space where a little bell can go a long way. \u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">3) Let there be light: strobe flashes interrupt the darkness with\u00a0stereo-appearances ever so slowly dying away on our retinas.&#8221;<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">&#8211; Ken Jacobs<\/span><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-17191\" src=\"http:\/\/microscope.webfactional.com\/wp-content\/uploads\/2015\/12\/McClure_Textiles.jpg\" alt=\"McClure_Textiles\" width=\"526\" height=\"700\" srcset=\"https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2015\/12\/McClure_Textiles.jpg 576w, https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2015\/12\/McClure_Textiles-225x300.jpg 225w\" sizes=\"auto, (max-width: 526px) 100vw, 526px\" \/><\/p>\n<p><strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #808080;\">Drawing by Bruce McClure for his\u00a0\u201cTextiles Through the Ages\u201d (2014) performance for shoeless 16mm projector<\/span><br \/>\n<span style=\"color: #808080;\"> image courtesy of the artist<\/span><\/p>\n<p><strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #000000;\">TEXTILES THROUGH THE AGES<\/span><\/strong><strong><br \/>\n<span style=\"color: #000000;\">Performance for a shoeless projector by Bruce McClure<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">612 feet\u00a0 \/\u00a0 17 minutes long<\/span><br \/>\n<span style=\"color: #000000;\">Photography by Al Stahl (b. NYC 1916 \u2013 d. NYC 1999)<\/span><\/p>\n<p><strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">INSTRUCTIONS FOR \u201cTEXTILES THROUGH THE AGES\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">&#8220;The filmstrip should be screened on an Eiki SSL-0 projector with its film shoe and bracket assembly removed. As a result of this modification, the film strip is disengaged from the claw leaver assembly and pulled in front of the aperture by the continuous motion of the drive gear. The lens is focused on the filmstrip before the performance. Sprocket holes and sound track should appear relatively well defined given the slack fit of film in the film gate. Sound from the optical track is given conventional treatment.&#8221; &#8211; Bruce McClure<\/span><\/p>\n<p><strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Found film:<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">\u201cI. Textiles Past and Prologue\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Producer \u2013 Motion Film-Maker<\/span><br \/>\n<span style=\"color: #000000;\">R. Robert Newton<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Animation \u2013 Al Stahl<\/span><br \/>\n<span style=\"color: #000000;\">Production Electrographics \u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Art Director Photography \u2013 Ken Howie<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Musical Selections \u2013 Audio &amp; Tech production \u2013 Marc Fagan<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Gensis &#8211; \u201clos Endos\u201d<\/span><br \/>\n<span style=\"color: #000000;\">Cat Stevens \u201cWhistle Star\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Aron Copland \u2013 Apallacian Spring \u201cRed Pony\u201d \u201cDanzon Cuban\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Merrimac Valley Textile Museum<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Sturbridge Village<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Text \u2013 Al Pederson<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Exhibition held at Greenville County Museum of Art <\/span><br \/>\n<span style=\"color: #000000;\">October \u2013 December 1976<\/span><\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">More info on the exhibition <em><strong>Never Twice <\/strong><\/em><a href=\"http:\/\/www.microscopegallery.com\/?page_id=17185\"><strong>HERE<\/strong><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sunday December 13, 7pm KEN JACOBS \/ BRUCE MCCLURE as part of Never Twice From \u201cBlack Space\u201d by Ken Jacobs (2015) \u2013 image courtesy of the artist Ken Jacobs BLACK SPACE &#8220;In 3 parts. \u00a0 1) Islands of sensation: audience seated in total darkness and requested not to fill it with their knowledge of others [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mc_calendar":[],"footnotes":""},"class_list":["post-17236","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/17236","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17236"}],"version-history":[{"count":13,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/17236\/revisions"}],"predecessor-version":[{"id":17259,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/17236\/revisions\/17259"}],"wp:attachment":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}