{"id":17687,"date":"2016-03-11T17:00:39","date_gmt":"2016-03-11T22:00:39","guid":{"rendered":"http:\/\/www.microscopegallery.com\/?page_id=17687"},"modified":"2016-03-11T17:17:29","modified_gmt":"2016-03-11T22:17:29","slug":"17687-2","status":"publish","type":"page","link":"https:\/\/www.microscopegallery.com\/archive\/?page_id=17687","title":{"rendered":""},"content":{"rendered":"<h1>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Friday March 18, 7:30pm<\/span><br \/>\n<strong><span style=\"color: #000000;\">Coal Miner\u2019s Granddaughter<\/span><\/strong><br \/>\n<strong> <span style=\"color: #000000;\">by Cecilia Dougherty<\/span><\/strong><br \/>\n<em><span style=\"color: #000000;\">artist in person<\/span><\/em><\/p>\n<\/h1>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-17689\" src=\"http:\/\/microscope.webfactional.com\/wp-content\/uploads\/2016\/03\/CMG_still.jpg\" alt=\"CMG_still\" width=\"648\" height=\"488\" srcset=\"https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2016\/03\/CMG_still.jpg 648w, https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2016\/03\/CMG_still-300x225.jpg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><br \/>\n<span style=\"color: #808080;\">Still from &#8220;Coal Miner&#8217;s Granddaughter&#8221; (Cecilia Dougherty, 1991) &#8211; image courtesy the artist<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Microscope is thrilled to present a screening of New York based artist Cecilia Dougherty&#8217;s 1991 Pixelvision feature &#8220;Coal Miner&#8217;s Granddaughter&#8221;. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Shot mostly on a Fisher Price PXL2000 camera and premiered in 1991 at MIX Festival in New York,\u00a0Coal Miner&#8217;s Granddaughter\u00a0is a partly autobiographical story of Jane Dobson, a young working class woman coming out queer to her family in Lancaster, PA &#8211; the artist&#8217;s town of birth &#8211; in the 1970s. Dougherty&#8217;s hand-held camera floats around home interiors to frame each of the family members as they move in and out of their stereotyped roles, shifting from script recital to improvisation to the revealing awareness of the camera. Are these roles to be played in a movie or in real life?<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">&#8220;When I made this video, I was just out of grad school and found myself with a story line but with no equipment. A friend suggested we buy a Fisher Price Pixel 2000 toy camera together, so we each pitched in a tiny amount of cash and the camera was ours. I got the cast together and shot this piece chiefly using the pixel camcorder. I borrowed someone\u2019s Canon Hi-8 as well for a few scenes in color.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Besides the inspiration that the beautiful pixel image provided, I was a little pre-occupied with cinema verit\u00e9 and was inspired by verit\u00e9 techniques. I approached\u00a0Coal Miner\u2019s Granddaughter\u00a0with a borrowed documentary sensibility and a na\u00efve idea about what I might be accomplishing. We worked from a plot outline and my direction was to tell the players what each scene was about and then to record it unrehearsed. I did not interfere with the cast\u2019s decisions about how to play their characters, but rather watched and recorded as the scenes unfolded. So, with mostly improvised dialogue, each day\u2019s shooting amounted to something close to psychodrama.&#8221; &#8211; Cecilia Dougherty<\/span><\/p>\n<p><span style=\"color: #000000;\">Cecilia Dougherty will be in attendance and available for a Q&amp;A immediately following the screening.<\/span><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><em>$7 general admission<\/em><\/span><br \/>\n<span style=\"color: #000000;\"><em>$5 students with ID<\/em><\/span><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><span style=\"color: #000000;\">Coal Miner&#8217;s Granddaughter<\/span><\/strong><br \/>\n<span style=\"color: #000000;\">by Cecilia Dougherty, Pixelvision and Hi-8 video, 1991,\u00a080 minutes<\/span><br \/>\n<span style=\"color: #000000;\">Starring Leslie Singer, Didi Dunphy, Kevin Killian, Glen Helfand, Amanda Hendricks, Clancy Cavnar, Ramon Charruca, Valerie Soe, and Claire Trepanier<\/span><br \/>\n<span style=\"color: #000000;\">Music by the She Devils, and by Mermaid Tattoo<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">_<\/span><br \/>\n<span style=\"color: #000000;\">Cecilia Dougherty is an artist working in video and photography based in New York. She has been making experimental videos since 1985, and her themes have been largely about psychology, language, sexuality, outsider interpretations of popular culture, and everyday life. Her videos have screened extensively in the US and abroad, most recently in 2015 in &#8220;Art of the Real&#8221; at the Film Society of Lincoln Center, NY, &#8220;History of Sexuality&#8221; at the New Museum, NY, and &#8220;Time\/Image&#8221; at the Blaffer Art Museum, Houston. Other venues presenting her work in previous years include the New York Film Festival, the Whitney Museum of American Art, Light Industry, Anthology Film Archives, Irish Film Center, Dublin, the Wexner Center, Columbus, Ohio, and many others. Dougherty&#8217;s work in moving image extends to animations for iPod and multi-channel video installations.<\/span><\/p>\n<p><strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-17690\" src=\"http:\/\/microscope.webfactional.com\/wp-content\/uploads\/2016\/03\/CMG_still2.jpg\" alt=\"CMG_still2\" width=\"648\" height=\"486\" srcset=\"https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2016\/03\/CMG_still2.jpg 648w, https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2016\/03\/CMG_still2-300x225.jpg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #808080;\">Still from &#8220;Coal Miner&#8217;s Granddaughter&#8221; (Cecilia Dougherty, 1991) &#8211; image courtesy the artist<\/span><\/p>\n<p><strong><\/strong><br \/>\n<strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-17653\" src=\"http:\/\/microscope.webfactional.com\/wp-content\/uploads\/2016\/03\/Logos.jpg\" alt=\"Logos\" width=\"648\" height=\"86\" srcset=\"https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2016\/03\/Logos.jpg 648w, https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2016\/03\/Logos-300x39.jpg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><\/p>\n<p><em><span style=\"color: #000000;\">Microscope Gallery Events Series 2016 is sponsored, in part, by the Greater New York Arts Development Fund of the New York City Department of Cultural Affairs, administered by Brooklyn Arts Council (BAC).<\/span><\/em><\/p>\n<p><em><span style=\"color: #000000;\">With the underwriting support of the Robert D. Bielecki Foundation.<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Friday March 18, 7:30pm Coal Miner\u2019s Granddaughter by Cecilia Dougherty artist in person Still from &#8220;Coal Miner&#8217;s Granddaughter&#8221; (Cecilia Dougherty, 1991) &#8211; image courtesy the artist \u00a0 Microscope is thrilled to present a screening of New York based artist Cecilia Dougherty&#8217;s 1991 Pixelvision feature &#8220;Coal Miner&#8217;s Granddaughter&#8221;. Shot mostly on a Fisher Price PXL2000 camera [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mc_calendar":[],"footnotes":""},"class_list":["post-17687","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/17687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17687"}],"version-history":[{"count":8,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/17687\/revisions"}],"predecessor-version":[{"id":17700,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/17687\/revisions\/17700"}],"wp:attachment":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}