{"id":17987,"date":"2016-05-30T16:37:05","date_gmt":"2016-05-30T20:37:05","guid":{"rendered":"http:\/\/www.microscopegallery.com\/?page_id=17987"},"modified":"2016-06-04T13:54:32","modified_gmt":"2016-06-04T17:54:32","slug":"17987-2","status":"publish","type":"page","link":"https:\/\/www.microscopegallery.com\/archive\/?page_id=17987","title":{"rendered":""},"content":{"rendered":"<h1>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Monday June 6, 7:30pm<\/span><br \/>\n<strong><span style=\"color: #000000;\">YES: Amanda Katz \/ Ted Kennedy<\/span><\/strong><br \/>\n<em><span style=\"color: #000000;\"><em>artists in person<\/em><\/span><\/em><\/p>\n<\/h1>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-17990\" src=\"http:\/\/www.microscopegallery.com\/wp-content\/uploads\/2016\/05\/Something-about_2.jpg\" alt=\"Something about_2\" width=\"648\" height=\"363\" srcset=\"https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2016\/05\/Something-about_2.jpg 648w, https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2016\/05\/Something-about_2-300x168.jpg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><br \/>\n<span style=\"color: #808080;\">Still from &#8220;Something about which nothing can be said&#8221; by Ted Kennedy, 2015, HD single-channel video, 14 minutes<\/span><br \/>\n<span style=\"color: #808080;\">Image courtesy of the artist<\/span><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Microscope is pleased to present a screening of new works in film and video by Brooklyn based artists and filmmakers Amanda Katz and Ted Kennedy as part of our\u00a0YES\u00a0series on emerging artists.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">The works by Katz and Kennedy exhibit very different approaches to film as a &#8220;document&#8221; &#8211; the first more traditionally structured using original footage and narration to create a portrait of a subject in relation to place and time, and the latter reworking scripted found television material to present the fiction in the context of the wider real time experience.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Amanda Katz&#8217;s latest videos underline the significance of film as a memory device, recording everyday moments and life stories that usually go unrecognized including that of the owner of the last remaining flower shop in a former Queens flower district that was disrupted by the building of the Brooklyn-Queens Expressway (BQE)\u00a0in the 1940s,\u00a0and of the mother of a friend who is reminiscing about her life as a writer and parent in her \u201c4 bed 4 1\/2 bath\u201d house that she has just listed for sale. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Ted Kennedy\u2019s works in the program, in contrast, involve the manipulation and recontextualization of rare found TV film, video and audio outtakes and other footage including from\u00a0&#8220;Law and Order: SVU&#8221;, a prison documentary, and 1960s black and white on-the-scene news,\u00a0exposing the apparatuses of and what lies beyond the televised. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">These works featuring images &#8220;shot from real life&#8221; ultimately expose reality as a complex territory in which multiple layers of fiction or artificial elements are entwined &#8211; and may or not be detected by the camera or eye. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Katz and Kennedy will be in attendance for a Q&amp;A following the screening.<\/span><\/p>\n<p><strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><em><span style=\"color: #000000;\">general admission $7<\/span><\/em><br \/>\n<em><span style=\"color: #000000;\">students w\/ ID $5<\/span><\/em><\/p>\n<p><strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>Program:<\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong>\u201c4 Bed, 4 1\/2 Bath\u201d<\/strong><br \/>\nby Amanda Katz, HD video, 2016, 9 minutes<br \/>\nSudden divorce spurs a newly single Marjorie to sell her family home of 35 years. We move through, room by room, in this newly made intermediate zone. It is at once ripe with decades of memories and artificially staged for prospective buyers. Made in collaboration with Claudia Zamora.<br \/>\n<strong><\/strong><br \/>\n<strong>\u201cEntrances\u201d<\/strong><br \/>\nby Amanda Katz, Super 8mm, 2015, 7 minutes<br \/>\nTwo un-edited Super-8 rolls. A consideration of a city\u2019s porous peripheries.<br \/>\n<strong><\/strong><br \/>\n<strong>\u201cAs You Pass By\u201d<\/strong><br \/>\nby Amanda Katz and Georg Anthony Svatek, HD video, 2014, 10 minutes 30 seconds<br \/>\nA dual portrait of a florist named John and the highway that surrounds his small shop in Queens. We turn to John and learn about a history that takes seconds to speed by and is easily overlooked.<br \/>\n<strong><\/strong><br \/>\n<strong>Pittsburgh 8\/5\/68<\/strong><br \/>\nby Ted Kennedy, HD video, 2013, 2 minutes 30 seconds<br \/>\nPittsburgh 8\/5\/68 is part of a series of films based on the original 16mm camera rolls from a Pittsbugh TV news station during 1968\/69.<br \/>\n<strong><\/strong><br \/>\n<strong>&#8220;Worm Wood&#8221;<\/strong><br \/>\nby Ted Kennedy, HD video, 2013, 9 minutes 45 seconds<br \/>\nVideo tapes from Chernobyl \/ vinyl from Necedah.<br \/>\n<strong><\/strong><br \/>\n<strong>&#8220;Something about which nothing can be said&#8221;<\/strong><br \/>\nby Ted Kennedy, HD video, 2015, 14 minutes<br \/>\nA document of the making of a television crime drama.<br \/>\n<strong><\/strong><br \/>\n<strong>&#8220;The Long View&#8221;\u00a0(2016)<\/strong><br \/>\nby Ted Kennedy, HD video, 2016, 6 minutes<br \/>\nThe Long View\u00a0combines\u00a0footage from a psychologist&#8217;s home just after their death, CG models of living environments and audio from a documentary about a death row folk hero.<br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">_<\/span><br \/>\n<span style=\"color: #000000;\">Amanda Katz is a filmmaker drawing upon documentary, experimental, and performative modes to explore the intersection of the public and private in urban and suburban environments. Her latest film As You Pass By made in collaboration with filmmaker Georg Anthony Svatek received grants from the New York State Council On The Arts and from The Austrian Cultural Forum in New York. Katz is an Adjunct Lecturer of Media Studies at Hunter College, and she also teaches 16mm filmmaking at the Mono No Aware workshops. Additionally, she proudly serves on the board for the avant-garde distribution organization The Film-Makers\u2019 Cooperative and staffs at the annual Robert Flaherty Film Seminar. Katz&#8217;s work has been shown among others at the Ann Arbor Film Festival, DOCNYC, Encuentros del Otro Cine Festival Internacional, Artists&#8217; Television Access, The Haverhill Experimental Film Festival, UnionDocs, The Picture Show, and Microscope Gallery. She lives and works in Brooklyn, NY.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Ted Kennedy is a filmmaker and programmer. Originally from Michigan, he is now based in New York and is currently an MFA candidate at Bard College. His video and installation work has been exhibited at BAM (Brooklyn), Heliopolis (Brooklyn), Media City Film Festival (Windsor, Canada), Microscope Gallery (Brooklyn), Flex: The Florida Experimental Film\/Video Festival, the Portland Experimental Film Festival, Onion City Film Festival (Chicago), Milwaukee Underground Film Festival, Iowa City Documentary Film Festival, and the &#8220;Art of the Rea&#8221;l film series at Lincoln Center, among other venues. In 2011, he co-founded the Studies and Observation Film Series, presenting creative non-fiction and experimental films in Ann Arbor. He currently serves on the Board of Directors of Union Docs and the Ann Arbor Film Festival, and recently co-programmed the Flaherty NYC 2014 Fall Series. Kennedy lives and works in Brooklyn, NY.<\/span><\/p>\n<p><strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-17991\" src=\"http:\/\/www.microscopegallery.com\/wp-content\/uploads\/2016\/05\/BED-4_3.jpg\" alt=\"BED 4_3\" width=\"648\" height=\"363\" srcset=\"https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2016\/05\/BED-4_3.jpg 648w, https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2016\/05\/BED-4_3-300x168.jpg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><\/p>\n<p><span style=\"color: #808080;\">Still from &#8220;4 Bed, 4 1\/2 Bath&#8221;, by Amanda Katz, 2016, HD single-channel video, 9 minutes<\/span><br \/>\n<span style=\"color: #808080;\">Image courtesy of the artist<\/span><br \/>\n<strong><\/strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.microscopegallery.com\/wp-content\/uploads\/2016\/03\/Logos.jpg\" alt=\"Logos\" width=\"648\" height=\"86\" class=\"alignnone size-full wp-image-17653\" srcset=\"https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2016\/03\/Logos.jpg 648w, https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2016\/03\/Logos-300x39.jpg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><br \/>\n<em>_<br \/>\nMicroscope Gallery Events Series 2016 is sponsored, in part, by the Greater New York Arts Development Fund of the New York City Department of Cultural Affairs, administered by Brooklyn Arts Council (BAC).\u2028<br \/>\nWith the underwriting support of the Robert D. Bielecki Foundation.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Monday June 6, 7:30pm YES: Amanda Katz \/ Ted Kennedy artists in person Still from &#8220;Something about which nothing can be said&#8221; by Ted Kennedy, 2015, HD single-channel video, 14 minutes Image courtesy of the artist Microscope is pleased to present a screening of new works in film and video by Brooklyn based artists and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mc_calendar":[],"footnotes":""},"class_list":["post-17987","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/17987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17987"}],"version-history":[{"count":9,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/17987\/revisions"}],"predecessor-version":[{"id":18013,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/17987\/revisions\/18013"}],"wp:attachment":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}