{"id":19763,"date":"2017-07-16T23:35:45","date_gmt":"2017-07-17T03:35:45","guid":{"rendered":"http:\/\/www.microscopegallery.com\/?page_id=19763"},"modified":"2017-07-24T13:41:44","modified_gmt":"2017-07-24T17:41:44","slug":"19763-2","status":"publish","type":"page","link":"https:\/\/www.microscopegallery.com\/archive\/?page_id=19763","title":{"rendered":""},"content":{"rendered":"

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Monday July 24, 7:30pm<\/span>
\nMy First 3D Part III: The Final Chapter<\/span><\/strong>
\nOrganized by Ben Coonley<\/span>
\nLimited seating, RSVP recommended (to rsvp@microscopegallery.com<\/a>)<\/span><\/p>\n

With works by: Michael Bell-Smith, John Michael Boling, Cristobal Cea, Keenan Houser, Ken Jacobs, Lily Konigsberg, Jackson Polys, Catherine Koutsavlis, Kerry Laitala, Collin Leitch, Jodie Mack, Jeanine Oleson, Jackson Polys, Alan Resnick, Mireya Rodriguez, Rafael Rozendaal, Gabe Rubin, Drew Stephens, Nastya Valentine, Bea Walling, Blake Williams, and more<\/span><\/p>\n

\"stagnationmeansdecline\"<\/p>\n

Still from Rafael Rozendaal’s “Stagnation Means Decline .com” (2002) – Image courtesy of the artist<\/span> <\/span><\/p>\n

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Microscope is pleased to present the third and final biennial installment of the series “My First 3D\u201d organized by Ben Coonley, this time with a new lineup of over a dozen artists and the widest range of 3D technologies. The artists in the program have been selected by Coonley to screen the first 3D project each of them made. <\/span><\/p>\n

“Learning to make 3D animation and stereoscopic 3D artworks forces artists to forge new relationships to space, technology, and composition. An artist\u2019s first 3D artwork frequently turns out to be idiosyncratic, playful, raw, personal, and\u00a0messy. “My First 3D Part III” is a summer blockbuster featuring five varieties of 3D glasses, crude physics, rainbows, render fireflies, vertigo, snack foods, blobs, optical fireworks, brain shear, shapes, ghosts, prismatic separation,\u00a0spiritually advanced technology, neutral density filters, and good old red\/cyan. <\/span><\/p>\n

This program consists of rarely screened works from ranging from 5 seconds to 22 minutes in length and several world premieres. A special 16mm presentation of\u00a0Ken Jacobs\u2019 landmark Pulfrich effect film \u201cGlobe\u201d (1971) punctuates the screening.” – Ben Coonley<\/span><\/p>\n

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Ben Coonley and several of the artists in attendance and available for Q&A after the screening.\u00a0RSVP recommended to rsvp@microscopegallery.com<\/a><\/span><\/span><\/p>\n

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General admission $9<\/span><\/em>
\n Members and students w\/ ID $7<\/span><\/em><\/p>\n

ADVANCE TICKETS<\/a><\/div>\n

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_<\/span>
\nBen Coonley is an artist working with video, computers, 3D, and cats. His work has been most recently exhibited in “Dreamlands: Immersive Cinema and Art, 1905-2016” at the Whitney Museum of American Art, New York this past Fall & Winter. Coonley’s work has also appeared in \u201c3D in the 21st Century\u201d at the Brooklyn Academy of Music (BAM), \u201cGreater New York: Cinema\u201d at MoMA PS1, Performa 09, the New Museum for Contemporary Art, the Moscow Biennale, and the International Film Festival Rotterdam, among many others. Recently his work has been written about in\u00a0Art in America<\/em>, Artforum<\/em>,\u00a0ARTNews<\/em>, Blouin<\/em> ArtInfo<\/em>, frieze<\/em>,\u00a0The New York Times<\/em>, and\u00a0The Wall Street Journal<\/em>, among others. In 2010 he was named one of Film Comment\u2019s \u201c21 Leading Lights of Projection Performance\u201d. Coonley studied Art Semiotics as an undergraduate at Brown University, and received an MFA from Bard College in 2003.\u00a0He was born in Boston, MA and currently lives and works in Brooklyn, NY. <\/span><\/p>\n

\"Leitch_Cinema_Dorite_still\"
\nStill from Collin Leitch’s “Cinema Dorit\u00e9”, 2016, Stereoscopic 3D video – Image courtesy of the artist<\/h1>\n","protected":false},"excerpt":{"rendered":"

Monday July 24, 7:30pm My First 3D Part III: The Final Chapter Organized by Ben Coonley Limited seating, RSVP recommended (to rsvp@microscopegallery.com) With works by: Michael Bell-Smith, John Michael Boling, Cristobal Cea, Keenan Houser, Ken Jacobs, Lily Konigsberg, Jackson Polys, Catherine Koutsavlis, Kerry Laitala, Collin Leitch, Jodie Mack, Jeanine Oleson, Jackson Polys, Alan Resnick, Mireya […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mc_calendar":[],"footnotes":""},"class_list":["post-19763","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/19763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19763"}],"version-history":[{"count":13,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/19763\/revisions"}],"predecessor-version":[{"id":19828,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/19763\/revisions\/19828"}],"wp:attachment":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}