{"id":20980,"date":"2018-05-05T18:24:11","date_gmt":"2018-05-05T22:24:11","guid":{"rendered":"http:\/\/www.microscopegallery.com\/?page_id=20980"},"modified":"2018-05-14T13:32:24","modified_gmt":"2018-05-14T17:32:24","slug":"20980-2","status":"publish","type":"page","link":"https:\/\/www.microscopegallery.com\/archive\/?page_id=20980","title":{"rendered":""},"content":{"rendered":"<h1>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Monday May 14, 7:30pm<\/span><br \/>\n<span style=\"color: #000000;\"><strong>What You Imagined It To Be<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">Organized by Caspar Stracke<\/span><\/p>\n<p><span style=\"color: #000000;\">w\/ works by:\u00a0Jaimi Aleksos,\u00a0Belgavox, Gerd Conradt, Cinema Contraimagen, Brian Doyle, Felix Gmelin, Jill Godmillow, Birgit and Wilhelm Hein, Isidore Isou, Christian Jankowski, Daniel K\u00f6tter and Constanze Fischbeck, Kini Matini,\u00a0Simon Payne, Caspar Stracke, Billy Talen and Youandfilms, Terre Thaemlitz, Sisters Uncut,\u00a0Claudia von Alemann, Florian Zeyfang<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-20981\" src=\"http:\/\/www.microscopegallery.com\/wp-content\/uploads\/2018\/05\/Four-Reenactments.jpg\" alt=\"Four Reenactments\" width=\"648\" height=\"505\" srcset=\"https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2018\/05\/Four-Reenactments.jpg 648w, https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2018\/05\/Four-Reenactments-300x234.jpg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><\/span><br \/>\n<span style=\"color: #000000;\">Still from &#8220;Four Reenactments&#8221; (2018) by Caspar Stracke &#8211; Image courtesy of the artist<\/span><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><em>&#8220;We can\u2019t stay sitting down at a film festival. We have to do something, here too&#8221;.<br \/>\n&#8211; Harun Farocki<\/em><\/span><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Microscope is pleased to welcome artist and curator Caspar Stracke to the gallery for a special program he assembled on the occasion of the 50th anniversary of the May &#8217;68 revolts\u00a0in France and Europe,\u00a0loosely centered around protest culture in cinema theaters and tracing the ways\u00a0in which\u00a0rebellion in the cinema reflected the political climate.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Projected onto a large canvas resembling a protest sign, the video program is inspired by the New Year\u2019s Eve 1968 occupation of a movie theater at\u00a0the legendary Exprmntl festival of Knokke-le-Zoute in Belgium. Among the students who interfered with and\u00a0introduced performative elements into the usual screening routine were Harun Farocki, Holger Meins, Gerd Conradt, and Oimel Mai.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">The program includes three videos by Stracke made between 2001 and 2018 &#8211; one in collaboration with Terre Thaemlitz &#8211; that respond\u00a0to the event and related subjects. In his latest work\u00a0\u201cFour Re-enactments\u201d the artist re-enacts 4 scenes of the Belgium protest.\u00a0Other recent works in the\u00a0program by\u00a0Jaimi Aleksos,\u00a0Kini Matini,\u00a0Sisters Uncut,\u00a0Brian Doyle,\u00a0Billy Talen and Youandfilms, among others, continue the themes of protest, cinematic intervention, and re-enactment. \u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Stracke also includes excerpts from film documentations of the Knokke-le-Zoute festival in addition to works by Birgit and Wilhelm Hein, Jill Godmillow, Gerd\u00a0Conradt, and others.<\/span><\/p>\n<p><strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">From Caspar Stracke:<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">&#8220;Coinciding with the 50th anniversary of the \u201968 movement, it [the program] is a focused on the collision between the notions of cinema and protest culture, taking a historically significant event of 1968 as a starting point. The latter could be described as the Underground Filmmakers\u2019 own \u201968 ignition, but at the same time also solidifying a schism between politically motivated filmmaking and Avant Garde Cinema. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">During the height of the Vietnam War and at the formation of the international student movement, the event took place in a casino in Knokke-le-Zoute, Belgium, the venue of the Exprmntl 4 Film Festival. A cinema hall got occupied by some of its own audience, including participating filmmakers. Some screenings were disrupted (or, inevitably, \u201cexpanded\u201d) by means of performative actions, banners and vocal interventions. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Four scenes of this event I decided to re-enact, inspired by the prevalent question of how such political actions would come into place today and if one can effectively negotiate between the duality of physical and virtual social spaces.\u00a0 <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">I curated a series of works (dominantly work excerpts) that align with this inquiry and included my own responses to these works\u00a0[\u2026] \u00a0The re-enactment theme wriggles throughout the program, I included other artists\u2019 re-enactments and ultimately my own\u00a0remake of a scene describing the remake of a 1968 protest film. \u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">The result can be seen as a hybrid between curatorial work, found footage cinema and appropriation art.&#8221; <\/span><\/p>\n<p><strong><\/strong><br \/>\n<strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><em><span style=\"color: #000000;\">General admission $8<\/span><\/em><br \/>\n<em><span style=\"color: #000000;\">Members or students w\/ ID $6<\/span><\/em><\/p>\n<div style=\"font-family: Helvetica,arial; text-align: justify;\"><a style=\"text-transform: uppercase; background-color: #fa0c7c; font-size: 12px; border-radius: 3px; -moz-border-radius: 3px; -webkit-border-radius: 3px; display: inline-block; margin: 0; text-align: center; text-decoration: none; font-weight: bold; color: #ffffff; font-family: arial,sans-serif !important; padding: 10px 20px;\" href=\"https:\/\/microscopegallery.ticketleap.com\/what-you-imagined-it-to-be\/dates\/May-14-2018_at_0730PM\" target=\"_top\">ADVANCE TICKETS<\/a><\/div>\n<p><strong><\/strong><br \/>\n<strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">_<\/span><br \/>\n<span style=\"color: #000000;\">Caspar Stracke is a filmmaker, visual artist and curator living and working in New York City (since 1993) and Berlin (since 2017).\u00a0In his films and installation work he investigates socio-political and aesthetic potentialities in life surroundings &#8211; architecture, urbanism and media culture. He is also interested in the poetics, ephemerality and time-based mechanisms of cinema itself. Stracke&#8217;s films and installation work have been shown in numerous exhibitions in venues such as Anthology Film Archives, MoMA, The Whitney Museum, The New Museum, MoMA PS1, Yerba Buena Art Center, Hammer Museum, ZKM (Karlsruhe, Germany), ICC Tokyo (Japan), Museo Tamayo, Mexico.\u00a0He has also participated in festivals such as CPH:DOX, Transmediale, Oberhausen, EMAF, Ann Arbor, Transitio, Microwave and many others throughout North and South America, Europe and Asia.\u00a0Stracke was the recipient of a Rockefeller Media Art fellowship for the film project\u00a0&#8220;time\/OUT OF JOINT&#8221; (which he completed 2016). From 2005-2013 he co-directed with Gabriela Monroy\u00a0video_dumbo, an annual international festival for contemporary moving image in NYC.\u00a0In 2014 they also co-curated the 60th Flaherty Film Seminar in Colgate, New York\u00a0under the title \u201cTurning the Inside Out\u201d.\u00a0A selection of the latter was also screened at MoMA New York, Cine Tonala, Mexico and WHS, Helsinki, Finland.\u00a0From 2012 &#8211; 2017 he was the professor for Contemporary Art and Moving Image at the Finnish Academy of Fine Arts, in Helsinki. Caspar Stracke is the editor of &#8220;Godard &#8211; Boomerang&#8221; a 2014 Godard mini symposium in Helsinki and a forthcoming publication at the University of the Arts, Helsinki, Summer 2018. <\/span><\/p>\n<p><strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>Program<\/strong>:<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>FOUR RE-ENACTMENTS<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">by Caspar Stracke,\u00a0Germany, 2018, 4 minutes <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>PARIS RIOTS 2016<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">by Jaimi Aleksos,\u00a0France, 2016<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>GREEK RIOTS ERUPT IN ATHENS<\/strong> <\/span><br \/>\n<span style=\"color: #000000;\">by Kini Matini, Greece\/Spain, 2016<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>AND HOW GODMILLOW EXPANDED IT<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">by Caspar Stracke, Helsinki, 2015, 4 minutes 43 seconds <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>DEAD WOMAN CAN\u2019T VOTE<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">by Sisters Uncut, UK, 2015, 1 minutes 10 seconds <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>BOWLING FOR SCHAUBURG<\/strong> <\/span><br \/>\n<span style=\"color: #000000;\">by Brian Doyle, US, 2003, 2 minutes <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>REV BILLY EXORCIZES BP<\/strong> <\/span><br \/>\n<span style=\"color: #000000;\">by Billy Talen and Youandfilms, UK, 2011, 6 minutes 51 seconds <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>BETWEEN SYMPATHY AND EMPATHY IS TIME<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">by Caspar Stracke and Terre Thaemlitz, US, 2001, 4 minutes 50 seconds <\/span><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\">and excerpts from:<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>EXPRMNTL KNOKKE<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">by\u00a0Claudia von Alemann,\u00a0Germany,1968<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>FOURTH INTERNATIONAL EXPERIMENTAL FILM COMPETITION<\/strong> <\/span><br \/>\n<span style=\"color: #000000;\">by Belgavox,\u00a0Belgium, 1968<\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>TRAIT\u00c9 DE BAVE ET\u00a0D\u2019\u00c9TERNIT\u00c9<\/strong> <\/span><br \/>\n<span style=\"color: #000000;\">by\u00a0Isidore Isou,\u00a0France, 1951, 3 minutes 29 seconds <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>BOICOTT AL FESTIVAL DE CANNES<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">by Cinema Contraimagen,\u00a0France, 1968, 2 minutes 36 seconds <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>RAWFILM (ROHFILM)<\/strong> <\/span><br \/>\n<span style=\"color: #000000;\">by W+B Hein,\u00a0Germany, 1968, 5 minutes 30 seconds <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>SPLICEFILM<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">by Florian Zeyfang,\u00a0Germany, 2013, 4 minutes <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>WHAT FAROCKI TAUGHT<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">by Jill Godmillow,\u00a0US, 1998, 5 minutes <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>FARBTEST &#8211; DIE ROTE FAHNE<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">by Gerd Conradt, Germany, 1968, 4 minutes 34 seconds <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>FARBTEST &#8211; DIE ROTE FAHNE II<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">by Felix Gmelin, Sweden, 2002, 2 minutes 25 seconds <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>STATE THEATER #2\u00a0THERAN<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">by Daniel K\u00f6tter and Constanze Fischbeck, Germany, 2010, 2 minutes 25 seconds <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>THE HOLY ARTWORK<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">by Christian Jankowski, US, 2009, 4 minutes 5 seconds <\/span><br \/>\n<strong><\/strong><br \/>\n<span style=\"color: #000000;\"><strong>NOT AND OR<\/strong> <\/span><br \/>\n<span style=\"color: #000000;\">by Simon Payne, UK, 2010, 4 minutes <\/span><\/p>\n<p><strong><\/strong><br \/>\n<strong><\/strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-20982\" src=\"http:\/\/www.microscopegallery.com\/wp-content\/uploads\/2018\/05\/EmpathySympathy.jpg\" alt=\"EmpathySympathy\" width=\"648\" height=\"520\" srcset=\"https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2018\/05\/EmpathySympathy.jpg 648w, https:\/\/www.microscopegallery.com\/archive\/wp-content\/uploads\/2018\/05\/EmpathySympathy-300x241.jpg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><br \/>\n<span style=\"color: #000000;\">Still from &#8220;Between Sympathy and Empathy is Time&#8221; (2001) by Caspar Stracke and Terre Thaemlitz<\/span> &#8211; <span style=\"color: #000000;\">Image courtesy of the artists<\/span><br \/>\n<strong><\/strong><br \/>\n<strong><\/strong><br \/>\n_<br \/>\n<em>Microscope Gallery Event Series 2018 is sponsored, in part, by the Greater New York Arts Development Fund of the New York City Department of Cultural Affairs, administered by Brooklyn Arts Council (BAC).<\/em><\/h1>\n","protected":false},"excerpt":{"rendered":"<p>Monday May 14, 7:30pm What You Imagined It To Be Organized by Caspar Stracke w\/ works by:\u00a0Jaimi Aleksos,\u00a0Belgavox, Gerd Conradt, Cinema Contraimagen, Brian Doyle, Felix Gmelin, Jill Godmillow, Birgit and Wilhelm Hein, Isidore Isou, Christian Jankowski, Daniel K\u00f6tter and Constanze Fischbeck, Kini Matini,\u00a0Simon Payne, Caspar Stracke, Billy Talen and Youandfilms, Terre Thaemlitz, Sisters Uncut,\u00a0Claudia von [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mc_calendar":[],"footnotes":""},"class_list":["post-20980","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/20980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20980"}],"version-history":[{"count":6,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/20980\/revisions"}],"predecessor-version":[{"id":21016,"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=\/wp\/v2\/pages\/20980\/revisions\/21016"}],"wp:attachment":[{"href":"https:\/\/www.microscopegallery.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}